Hot Graves – Desecration Time 7″
In the mood for some thrash-worship discore that manages to fuck up the mix with occasional blastbeats and/or molasses-slow doom? Pick up this seven-inch from Hot Graves as a taster
In the mood for some thrash-worship discore that manages to fuck up the mix with occasional blastbeats and/or molasses-slow doom? Pick up this seven-inch from Hot Graves as a taster
Ravens Creed is a truly great British metal band, and along with such bands as the Meads of Asphodel and Old Corpse Road, are really flying the flag for true, trend-free, British metal!
Captured by Stuart McKillop and Jesse Carr at The Hive Creative Labs, Baptists have arrived hitting fast and hard. It’s a little cruel that four songs are all we get, but as a way of documenting the band’s formidable power at this early stage, the 7-inch is the perfect delivery method.
New review of the new split 12″ release by APOSTLE OF SOLITUDE and Portugal’s DAWNRIDER.
This twelve inch single is an awesome slab of doom, and that is as it should be, for this is work of Pentagram and Raven legend Joe Hasselvande
If you’re looking for grind inflected sludge metal, with a love for noise, this is the band for you. Something you will notice right from the beginning however, is that The Great Sabatini are not interested in making their music quite that simple. Unlike many 7” releases, Napoleon Sodomite doesn’t feel like the band threw on a few outtakes just to be able to say they put out a 7”. This is quality beginning to end.
As a long awaited reissue, the new 2011 version of this album is about as good as it gets.
By Kevin Stewart-Panko First truth be told, I am a fan of the metallic sub-genre that has come to be known as sludge. Second…
Overkill is the album that spawned all your favorite bands. Overkill is the album that gave way to the ‘Trick Question, Lemmy IS god!’ punch line. Overkill is the album that earned Motörhead their rightful, center-throne seat as one-third of the Holy Triumvirate of Rock’n’Roll. It goes without saying, but Overkill should be mandatory listening for any child who displays even the slightest notion of interest in rock and roll, perhaps even at as early a stage as the womb. Only calling Overkill ‘essential’ is half-hearted and weak, because Overkill is the be-all, end-all of Motörhead.
Rock ‘n’ Roll suffers from being pushed out too fast, but still has a handful of solid tracks on it. This is one of the few albums I’d advise getting as a CD reissue though, the two b-sides really push the quality way up.