Toronto

The great Witch Mountain gig that nobody saw…

When Witch Mountain first came to town in June, playing on a killer bill with Castle and Blood Ceremony, it went down as one of, if not the best gig I’ve seen in Toronto this year. At the time, Rob Wrong had said something about them coming back in the fall, and thus I was pleased, if not entirely surprised, when I found out they’d be making a return trip in October. But, truth be told, the excitement of seeing them the first time wasn’t equaled by the return visit–and neither was the turnout at the second gig, for that matter.

Jello Biafra is the man!

Saw Jello Biafra at Lee’s the other night. Round One of my mid-week madness, if you’re keeping track at home. I wasn’t entirely sure what to expect, though I’d sorta been tipped off ahead of time that he wouldn’t be playing a whole buncha Dead Kennedys covers…

Harangue – Feeding The Wolf EP

As an introduction to the band, the two tracks are an intense six minutes. In that short time, Harangue demonstrate a multi-faceted approach to their songcraft. Abrupt yet timely transitions from hardcore chug to frenetic freakout riffs or absolute slamming breakdowns betrays any notions of this outfit being a one-trick pony.

The Courthouse might be Toronto’s best doom metal venue–when it’s not hosting dance parties, that is…

Last summer, when I first heard that YOB was playing some dance club at Church and Adelaide, I must admit, I had my reservations about the Courthouse. But that changed almost as soon as I walked into the place–or perhaps, more accurately, once local legends Sons of OTIS took the stage and I could feel the bass hit my face. Last nite’s HOMTGOS tour only served as confirmation–this is probably the best place in town to catch a doom metal gig, though the going rate seems to be about one a year here…

Agalloch / Taurus / Musk Ox @ Opera House, Toronto ON, July 23, 2012

“The relationship between musicians and the music they play comes in varying kinds. Some artists are clearly intent on displaying their mastery of the musical tools they wield. Others are more willing to relinquish control, letting the music itself dictate the ways it’s conveyed. Agalloch’s latest visit to Toronto was of the latter type, a night of musical channelling and possession, with all three bands performing as conduits between primal source and receptive fans.”

Live review by Laura Wiebe