Mike Scheidt: The Hellbound Interview
Mike Scheidt has been busy over the last couple of years, having seen the release of his first solo album, the first VHOL record,…
Mike Scheidt has been busy over the last couple of years, having seen the release of his first solo album, the first VHOL record,…
By Gruesome Greg Q: What do you get when you put Mike Williams, Scott Kelly, Bruce Lamont and Sanford Parker in one building? A:…
Overall, this isn’t a bad listen for fans of Neurosis, Zoroaster and the like. That said, I’m not sure this one’s a real winner—especially coming hot on the heels of the former’s latest record.
This is still a “metal” album, just one that defies quick-and-easy categorization. Not for the faint of spirit, but a long, strange trip for the rest of us…
A Great River is raw and jagged, and yet beautifully serene in parts. It’s as incongruent and temperamental as any of our hearts, and Hall tears his chest wide open on the album, unafraid to express his own shortcomings and fears in the hunt for peace and fulfillment.
When Hellbound caught up recently with Scott Kelly the Neurosis co-founder and solo artist was returning from camping in the Oregon woods. He wasn’t looking forward to working later that evening. “I’m not that excited to get back into the world again,” Kelly said. If anyone has earned some down time this year it’s Kelly. He’s released an acoustic album with The Road Home (The Forgiven Ghost In Me) and was one of three artists featured on a Neurot collection celebrating folk artist Townes Van Zandt. The new Neurosis album Honor Found In Decay will be released in late October, and Neurosis is likely to emerge for a few select shows this winter. We talked to Kelly about playing solo and the power of a man alone in the universe – whether in a fighting cage or on a stage.
By Justin M. Norton
I first heard about Wino doing an August acoustic tour at least a couple months ago; twas announced well in advance. Turns out this tour, which kicks off tonite in Seaside, CA, hits Cleveland on a Saturday nite, and even has a Buffalo date(!), albeit he won’t be crossing the border. I haven’t been the biggest fan of his unplugged stuff, nor can I say I’m digging this recent trend of sludge/doom singers (Scott Kelly, Mike Scheidt et al) picking up acoustic guitars, but man, Wino is a legend, and I was definitely contemplating heading down to the States to see him–until recently, when a much more momentous occasion made me change my mind…
Distilling Van Zandt’s work down to a poignant acoustic framework (as he used to do so well in a live setting) brings the immediacy and lyrical genius of his work to the fore. However, not only does the album pay due respect to the influence Van Zandt has had on Kelly, Von Till and Wino, it also serves as a reminder of the sublime artistry that sits at the heart of their own work. If you can’t find something to latch onto among these nine hauntingly picturesque tracks, or recognize Kelly, Von Till and Wino’s own legacies at play, then it’s best you check your pulse to see if you’re even living.
A small, passionate, vocal crowd greeted Neurosis’ Scott Kelly and Baroness’ John Baizley for their show in New Zealand’s capital on their current solo acoustic tour. With able support from an NZ rock icon, Craig Radford, the night was filled with heartfelt, intense performances.
Craig Haze reviews the February 3rd performance by Scott Kelly, John Baizley and more in Wellington, New Zealand. Live photos by Greg Parsons.
Ladies and gentleman, the TOP 5 METAL ALBUMS OF 2011 according to the contributing writers of Hellbound.ca…