FOR THE LOVE OF METAL
Neurosis has been reissuing a lot of their older material of late (see “Souls At Zero” review from a little while back). And while this four-song EP, the first to be released on Neurot back in 2000, doesn’t have the historical significance of prior reissues, it’s certainly worthy of a second lease on life, considering that the title track never appeared on any subsequent release.
This record runs the gamut from cool to quirky to slightly-boring alt-rock slog, leaving no stone unturned along the way.
Today’s interview in our ongoing staff interview profiles is with Northern California-based writer Justin M. Norton
Who else could be number thirteen in our staff interviews but Natalie Zed?
Today’s interview is with Toronto metal writer and upcoming book author Laina Dawes
“I never in a million years thought we’d be talking about Saint Vitus now but here we are on the move again. It’s all looking pretty good, and it’s unusual. But it’s o.k. with me. When I turned 50 I realized it was time to loosen up. I decided not to worry as much and realized I’d be o.k. if I had a few beers. I had an attitude change. I’m not as uptight anymore.”
Justin M. Norton in conversation with the one and only Scott “Wino” Weinrich
Although I’ve got no grading scale or any reference points when it comes to acoustic folk, I will say that if you worship Wino, you’ll want this.
The following five articles were the most read stories on Hellbound.ca during the past twelve months
“We were still trying to come of age. I was 25 and trying to find my way in the world. I think we all were. We had started to find our sound and were able to express ourselves in a way we had been trying for a long time. Souls At Zero (1992) was a step in that direction. When I listen to it I find songs where we were tapping into it. But it was hit or miss, especially with keyboards and different textures. We had to get more proficient at our instruments to pull the things in our heads out. Enemy was a bold step in that direction.”
Justin M. Norton sits down with metal pioneer Scott Kelly of Neurosis to discuss the re-issue of 1993’s critically acclaimed “Enemy of the Sun”, psychedelic cyborgs, and the band’s live experience.
In case you didn’t know, I just got back from the West Coast a couple days ago. Saw Sleep in concert at the Roseland Theater in Portland, then caught the Seattle Seahawks’ season opener at Qwest Field. These were the best two days in recent memory.