Hellbound Staff Interrogations #19: Jonathan Smith
Staff interview number nineteen is with Hamilton resident Jonathan Smith
Staff interview number nineteen is with Hamilton resident Jonathan Smith
Today’s staff interrogation is with Toronto university student and Hellbound contributor Ola Mazzuca
“‘Six Pack Witchcraft’ is a full speed ahead, red lining, sing-a-long track that will have you pounding your fist on the bar, and possibly your pint glass as well. For ‘Go F*** Yourself’ the band moves back into a more old school black metal feel with production so thick you’d almost think the band had recorded with the microphones set up on the other side of a mattress.”
Jason Wellwood reviews the latest album from MAAX, a blackened rock and roll album reminiscent of Motorhead vs Darkthrone.
Take the buzzsaw riffage of more recent Darkthrone and the piss ‘n malt liquor of Eyehategod, with some decidedly pissed off black metal vocals, and change tempos frequently. You’ve got yourself a solid eight-song, 35 minute debut.
Containing three additional songs taken from the album sessions that just didn’t fit within the parameters of the album plus two live songs recorded live at the band’s performance at the 2010 Roadburn Festival, Shatter is every bit as essential as the full length is.
“The other reason is that people want to tag bands with some political name; especially if you don’t denounce the group they say you are a part of. I won’t denounce any political movements. One, I’m not a part of them and it’s not my place. And two, I believe in free speech and free expression. If someone wants to go out and be a part of a movement even if I don’t agree with it it’s not my place to step in. I’m not an activist, I’m not as politician. I have enough problems of my own and I don’t need to start a war with any specific movement.”
Justin M. Norton in conversation with Krieg founder and main man (and sometime Twilight collaborator) Imperial.
Firmament’s sound places the album squarely within ambient black metal territory, more Drudkh than Darkthrone. As such it’s probably more likely to appeal to those looking for something like the former than the latter. Think Circle of Ghosts but with more thunderous kick.
Not without the requisite controversy among the black-metal community, once again it appears Darkthrone is determined to carve their name in the big stone book of metal/punk crossover, as another of those rare-treat bands who can appeal to both the ‘airies and the baldies at the same time. There’s just that matter of their tr00-kvlt fans having a hard time with them putting out anything that doesn’t sound once more like Ravishing Grimness.
Attention bangers, rockers, skids, black metal enthusiasts and inquisitive individuals alike: the world’s most unique film about black metal is making its long awaited arrival to Toronto!
In the newest entry into The Blasphemy Blog, Ola Mazzuca discusses the Toronto debut later this week of Until The Light Takes Us
When I first ripped off the packaging of the cd sleeve, I did a brief scan of the promotional artwork and thought to myself ‘oh, just another grim underground black metal band…’ Six beers later, I had the volume cranked.