Tag: black metal

  • Vulcano – Tales From The Black Book

    By Albert Mansour Brazilian black/thrash/death metal outfit Vulcano is back with a re-release of an album originally issued in 2004, their sixth full length overall. This bunch has been around quite a while. Way back in the 80’s I had the chance to see them in concert opening for Venom in Sao Paulo, Brazil in…

  • UNTIL THE LIGHT TAKES US Hits The T-Dot This Friday

    Attention bangers, rockers, skids, black metal enthusiasts and inquisitive individuals alike: the world’s most unique film about black metal is making its long awaited arrival to Toronto! In the newest entry into The Blasphemy Blog, Ola Mazzuca discusses the Toronto debut later this week of Until The Light Takes Us

  • Drudkh – Autumn Aurora

    [Autumn Aurora] is an album that, listening to it now in retrospect, both continued and solidified the group’s pagan and nature themes and thick, heavy sound.

  • Shining – VI Klagopsalmer

    Klagopsalmer is a surprisingly warm production in spite of its black metal core. That also means that, despite the band’s dark, depressive, even suicidal reputation, the record is not nearly as nihilistic or grim as you might expect.

  • KEVI METAL’S RIMSHOTS v.2 #2

    Welcome to the second installment of the snarky, irreverent world of Rimshots, reconstituted for the online world that is Hellbound.ca. Enjoy them, because I know I didn’t. After suffering through this crop of crap, all I have to ask is: Sean, dude, what did I ever do to you?!

  • Emperor – Live Inferno

    Live Inferno is nothing less than a send-off from the canonical Norwegian black metal band.

  • Bringing New Energy Back to the Barren Lands: An Interview With Ihsahn

    “I like the situation I’m in now with the solo thing. With this last album in the trilogy, it’s kind of a natural development from angL and The Adversary. I think they all kind of tie in together, but After is not the most logical step from the two other albums. It’s so different that…

  • Weapon: Drakonian Paradigm

    Musically, what makes Weapon unique is its intricate sense of composition, its sinuous melodic leads, and the subtle accents that it uses in order to conjure a distinctive atmosphere. Conceptually (and, by extension, atmospherically), Drakonian Paradigm is uniquely syncretic in its left-hand-pathos, in turn using its music to menace several doctrines from a common ground.…

  • Rotting Christ: Aealo

    Aealo is the best Rotting Christ album since Triarchy of the Lost Lovers. Dive deep, and discover for yourself.

  • Acheron: The Final Conflict: Last Days Of God

    Forged from the combative live-in-the-studio atmosphere of Kreator’s Pleasure To Kill coupled with the soupy low end of Obituary yet new enough to elicit comparison to fellow evil-doers Behemoth, The Final Conflict is as furious as it is delightfully offensive.