FOR THE LOVE OF METAL
Hellbound’s two-part interview with Celtic Frost and Triptykon founder Tom Gabriel Fischer continues. Today, Fischer talks about his signature guitar sound; composing several tracks on the new album; his relationship with Martin Eric Ain and what will be included in Triptykon’s set list.
When you were working on Triptykon’s debut what was
If Skandinavisk Misantropi translates to Scandinavain Misanthropy, does that mean that Skitliv has hatred towards their own kind, or does it portray the hatred Scandinavians have towards the human race in general? This album presents a number of considerably solemn questions as it evokes the feeling of grim dissatisfaction.
`I didn’t just leave Celtic Frost in the heat of the moment. It took an immeasurable amount of personal problems for me to walk out of my own band. I was the main songwriter in Celtic Frost. We worked for so many years to achieve the status that we only achieved at the very end. It was difficult to let that go on every level.`
Justin M. Norton interviews metal mastermind Thomas Gabriel Fischer about his new outfit Triptykon and the incidents surrounding its formation and the break up of Celtic Frost
Do not expect anything hi-fi from this Illinois based one man band of a rare breed of music that barely reaches the tolerable low-fi standard due to production that is more raw than that of early records from Satyricon and Darkthrone.
I’m new to Ludicra. Bad timing kept me from even checking out their live show opening for Hammers of Misfortune last summer. The Tenant has convinced me I’ve got some catching up to do.
Immortal never failed to acknowledge the momentous occasion that their appearance was for the diehards in the crowd. From their frequent praising of the crowd to Abbath’s invocation of fan worship during “Tyrants,” the band’s antics never failed to garner overly-excited cheers from fans who had obviously been long bursting a gut to see their heroes in the flesh. While there was no fire-breathing to be had, Abbath and company didn’t fail to prove their musical chops.
Jonathan Smith reviews Immortal’s March 27th concert at Toronto’s Opera House. Panzerfaust and Eclipse Eternal also appeared. All concert photos by Adam Wills.
Hellbound readers, remember Natalie Zed? Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?
So, without further adieu, here is Natalie’s second installment in what Hellbound likes to refer to as “Postcards From Natalie Zed”…
Firmament’s sound places the album squarely within ambient black metal territory, more Drudkh than Darkthrone. As such it’s probably more likely to appeal to those looking for something like the former than the latter. Think Circle of Ghosts but with more thunderous kick.
Not without the requisite controversy among the black-metal community, once again it appears Darkthrone is determined to carve their name in the big stone book of metal/punk crossover, as another of those rare-treat bands who can appeal to both the ‘airies and the baldies at the same time. There’s just that matter of their tr00-kvlt fans having a hard time with them putting out anything that doesn’t sound once more like Ravishing Grimness.
KREATOR, of course, positively destroyed The Opera House. “Hordes of Chaos” raised the energy level in the room to near-riot level early on, and “Enemy of God” and “Extreme Aggression” kept it there. Whatever chilliness I’d initially felt evaporated almost immediately, and there was rarely a moment when my fist wasn’t in the air and my neck muscles weren’t burning.
Natalie Zed reviews the recent Toronto stop of the Kreator, Voivod, Nachtmystium tour, which happened Tuesday night at the Opera House.