black metal

Imperium Dekadenz – Procella Vadens

While it’s questionable whether the band haven’t left behind one set of stereotypes only to embrace another, what isn’t questionable is that Imperium Dekadenz have produced an awesome album that is one of the best that the black metal genre has to offer so far this year.

Postcards From Natalie Zed, Part 1

Hellbound readers, please welcome aboard Natalie Zed! Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?

So, without further adieu, here is Natalie’s first installment in what Hellbound likes to refer to as “Postcards From Natalie Zed”…

Semen Datura – Einsamkeit

Germany’s Semen Datura have returned with their latest full-length album Einsamkeit. It’s an eclectic archive of black metal-influenced noise that isn’t afraid to go in some unexpected directions. With the band avoiding familiar pagan or satanic imagery in favour of pursuing the “intellectual aspect” of “this art” (as stated in the liner notes), Einsamkeit opts for more minimalist and bleaker pictures of isolation amidst crushing metallic vibes.

Burzum – Belus

However unsettling his crimes, however indefensible his comments and views, Varg Vikernes is one of the most creative forces in Norwegian black metal and Belus ample proof of his talent.

Rotting Christ – Aealo

Listening to the new Rotting Christ over and over, I like it, but I want to like it more than I do. Aealo is powerful and dramatic, sometimes violent, eerie, complicated or just plain straight-ahead catchy – a black-death fusion of metal and eastern folk. But there’s something that doesn’t quite click, or at least hasn’t yet.


Attention bangers, rockers, skids, black metal enthusiasts and inquisitive individuals alike: the world’s most unique film about black metal is making its long awaited arrival to Toronto!

In the newest entry into The Blasphemy Blog, Ola Mazzuca discusses the Toronto debut later this week of Until The Light Takes Us