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70000 TONS OF METAL Cruise Recap Part 2

Last week the inaugural 70000 TONS OF METAL cruise sailed from Miami, FL to Cozumel, Mexico and back and featured live performances by forty-two metal bands. Hellbound.ca was lucky enough to have been able to send four of its contributors on the cruise and here is what they had to say about the performances that took place on Day number two.

Live reviews by Adrien Begrand, Albert Mansour, Kevin Stewart-Panko and Sean Palmerston. All photography by Albert Mansour unless listed otherwise.

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HELLBOUND’s TOP 10 CANADIAN METAL ALBUMS OF 2010

Since Hellbound.ca is a Canadian-owned and operated metal publication, we do things a little bit different than most. As 2010 quickly is coming to a close, we asked all of our contributors to pick their Top Canadian metal albums of the year. We then tabulated up their responses and have created our second annual Top 10 Canadian Metal Albums writers poll. Please enjoy.

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Steve Flynn of Atheist: The Hellbound Interview

“It was horrible. We were not well-received at all. People would throw dog food at us. People called us pussy metal.”

On the eve of the release of their excellent comeback album Jupiter, Justin M. Norton speaks with ATHEIST drummer and co-founder Steve Flynn about their early years, the re-emergence of the band and their exciting new album.

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HELLBOUND RADIO: August 22nd, 2010 Playlist

Jesus Christ…I go away for a month and everything goes to a shambles. The station from which we broadcast Hellbound Radio every Sunday has begun the process of being gutted in order to be moved to a still undetermined location sometime in the next nine months – nothing like planning ahead, eh? Half the college seems to be under construction as well, which makes getting to the actual station after hours a bit of a pain in the ass. Then, there are my esteemed co-hosts who failed to put up a single playlist while I was away. So, here you go, Sunday night’s goods.

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Jay Gorania’s SXSW 2010 – Part 2

The Endless Blockade took over with an electronic-noise enhanced set that was a bit more varied, and was arguably even more unrelenting. Their singer constantly confronted the crowd, moving as deep into the sweaty mass as he could. Keep in mind, there wasn’t much floor space to work with, and there was no stage. Just like a basement show, they were sandwiched next to the crowd who was standing on the same floor. Even this guy felt the need to constantly engage with me, running directly into me at least five times.

Why does everyone always pick on me?

Jay Gorania recaps his take on this year’s SXSW Music Festival. In this second entry, he reviews the Profound Lore Records/20 Buck Spin showcase as well as sets by The Atlas Moth, Rwake and Weedeater.

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Acheron: The Final Conflict: Last Days Of God

Forged from the combative live-in-the-studio atmosphere of Kreator’s Pleasure To Kill coupled with the soupy low end of Obituary yet new enough to elicit comparison to fellow evil-doers Behemoth, The Final Conflict is as furious as it is delightfully offensive.

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Blatant Self-Promotion: Gov’t Mule Live Review on Exclaim.ca

While Hellbound.ca is definitely my main focus these days, every now and then I still write for other places when asked. One band that I have covered for Exclaim! on a number of occasions that will appeal to some metal fans despite their non-metalness is the US based heavy blues rock quartet Gov’t Mule. The last time I wrote about them was about seven years ago, but when I got a last minute offer to cover their recent Toronto performance last week for Exclaim!, I rang up Albert Mansour to see if he was interested in checking it out.

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