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Jucifer: The Hellbound Interview Part 2

“We’ve always known that as an entire band—both live and everything on our albums—we’re asking listeners to have a very open mind, more open than a lot of people are capable of. Depending on what song somebody hears, we could fit so many different categories. So if somebody sees we’re “black metal” and then listens to “Japanese and Lovely,” they’ll think we’re “false metal,” or that the person who called us black is an idiot. Vice versa if somebody’s told we’re indie rock and then, God help them, comes to our show, screaming for the door.”

Part two of Jay H. Gorania’s interview with Amber Valentine of JUCIFER.

Primus @ Sound Academy, Toronto, ON, July 27, 2010

“While avoiding the bookend records (Suck On This and Antipop) completely, Primus pulled together a set tailor-made to please the devout and focused on fan favorites like “Eleven,” “Pudding Time,” “Golden Boy” and “Southbound Pachyderm” rather than reaching for any “Wynona” or “My Name Is Mud”-sized brass rings (“Jerry Was A Racecar Driver” represented the only bonafide hit in the set) or throwing any curiosity-seeker that may have been in attendance a bone.”

Bill Adams reviews the July 27th Toronto performance by the reuinited PRIMUS. TOM FUN ORCHESTRA opened the show.

Slayer/ Megadeth/ Testament @ Molson Canadian Amphitheatre, Toronto ON, July 29, 2010

“Testament and Megadeth have both been around as long as I have been alive; Slayer is two years older than I am. These bands have been around for a very long time and have gotten exceptionally good at what they do. More that that, they have defined their genre. Watching Slayer perform, it suddenly hit me: this is what everyone else is going for. This is the aesthetic so many other bands attempt to emulate. Not just the sound, either, but the presence, the charisma of the band members.”

Natalie Zed reviews the July 29th performance by SLAYER, MEGADETH and TESTAMENT at Toronto’s Molson Canadian Amphitheatre

Jucifer: The Hellbound Interview Part One

“We wanted an album that we’d be excited to play. As much as we appreciate that people love a song like “Amplifier,” we don’t want to play it. So with Throned… we can finally give fans a set with songs from the current album that we actually get off on playing. Maybe we’ll disappoint some people who like our albums because they’re not so abrasive. But in the end, we have to consider what pleases us. And arguably, the fans that don’t attend our shows are not the ones we should aim to please.”

Part one of Jay H. Gorania in conversation with JUCIFER’s Gazelle Amber Valentine about the release of their new album Thrones In Blood

HAMMERS OF MISFORTUNE: The Metal Blade Reissues

San Francisco’s Hammers of Misfortune have recently signed to Metal Blade, and as a result, the label has reissued their entire back catalogue in hopes that it will get the due recognition it missed the first time around. With no expectation and no foreknowledge of the band, I tossed myself in at the deep end to review these four reissues and wound up discovering something completely fresh.

Kyle Harcott reviews the new Metal Blade reissues of the Hammers Of Misfortune back catalogue.

The Top 10 Reasons Why HEAVY MTL Will Be Cool

This Saturday and Sunday will see the city of Montreal play host to the second ever HEAVY MTL. As longtime Hellbound readers will remember, we ran a belated review of the 2008 edition last summer that featured photos by our own Adam Wills and a few write ups by me. This year Hellbound.ca has a group of our writers heading down yet again, including Albert Mansour, Adam Wills and Laura Wiebe Taylor. They’ll be able to tell you how great it was afterwards, but in the meantime here are my Top 10 reasons why you should head down to Montreal on Saturday if you are on the fence.

Halford: The Metal God Never Rests

“I’ve done it all, I’ve been it all, I’ve seen it all – these are like the bonus rounds as far as the opportunities go. Personally, I’m having the time of my life right now just doing what I really want to do. That’s a nice feeling, and having all the fans supporting Priest and the other endeavors – it’s just tremendously gratifying that you can still go out and do what you want to do more than anything else in the world and that’s write metal and play metal live.”

On the eve of their appearance at this weekend’s HEAVY MTL festival Rob Halford speaks to Hellbound.ca’s Bill Adams about the return of his solo band Halford and their plans for the remainder of 2010.

Skeletonwitch/ Priestess/ High On Fire @ The Opera House, Toronto ON, July 16, 2010

“By the time High on Fire hit the stage, the venue was thankfully almost at full capacity and despite not yet turning on the stage lights, when the crowd saw frontman Matt Pike stroll out in the darkness, bare chested, snaggle-toothed but still sexy as all hell, the crowd went nuts. While the trio had the least amount of members in comparison to the other bands, their sound was ten times more powerful and dense.”

Laina Dawes reviews the July 16th concert by HIGH ON FIRE, PRIESTESS, SKELETONWITCH at Toronto Ontario’s Opera House venue

Jucifer – Canadian Tour Diary #1

“Driving onto the Bridge To Canada feels like jumping out of a plane. Okay, maybe not that exciting. But you do have a sense that you’re committed to a path that could go seriously wrong if you’re not careful. For example, never having crossed Ambassador Bridge before (we usually enter at Niagara Falls) we got confused as to whether we should follow signs for “trucks” or “cars” — seeing that “RV” or “bus” were not options — and ended up having to reverse out of an entry lane. One more strike against American intelligence.”

In an exclusive to Hellbound.ca, JUCIFER guitarist/vocalist Gazelle Amber Valentine has submitted the first part of their Canadian tour diary documenting their current tour North of The Border.