FOR THE LOVE OF METAL
I’m not a huge fan of bands doing albums in their entirety, but when the album is freaking Moving Pictures, the band is Rush, and it only makes up about a third of the show, how can you say no?
Sean Palmerston recaps the July 13th hometown performance of RUSH at Toronto’s Molson Canadian Amphitheatre as part of their 2010 Time Machine North American tour. Concert photos by Adam Wills.
Live, this band kills. Although Buffalo didn’t offer the shot of adrenaline Landmine may have been looking for at this point in their tour, the band rallied and took it upon themselves to personally inject audience members with a shot of straight up, blood curdling horror; extreme music at its best. The set was short and intense; under a half hour to which the band played almost exclusively from their most recent album, Sovereign Descent.
Madeleine Rundle reviews the July 11th performance by Arizona grind monsters Landmine Marathon at Buffalo NY’s Club Diablo
So in our ongoing new efforts to show the world that we have one of the most diverse metal radio shows on the planet, here is the playlist to last night’s edition of Hellbound Radio. This is our last show with all three of us for a while, as Kevin Stewart-Panko heads out on tour with CEPHALIC CARNAGE later this week. He will be tour-managing them for the first half of this summer’s SUMMER SLAUGHTER tour and we wish him the best of luck!
Click through to see the playlist in its entirety.
“Having seen the Melvins in previous three-piece variants over the years, this was my very-excited first time seeing this four-on-the-floor version that includes the Big Business guys, even though the band’s been touring in this incarnation since 2006. First, the stage set-up is key: Looking like one monstrous kit, the twin drumsets are dead center of the stage mirroring each other as centerpiece of the show. Yes, everybody is situated right up front and gets to act as frontman-in-his-own-right in Melvins Mark, what is it, now, Eight?”
Kyle Harcott reviews the July 5th show Vancouver performance by the Melvins and Totimoshi.
“Saturday’s show was a real Iron Maiden show, done with passion and vigour and integrity. It was a show made for their die hard, long-supporting fans. This was no greatest hits run-through, this was a band celebrating the fact that, after more than thirty years as a professional band, some of their greatest musical achievements have been on their past three studio albums.”
Natalie Zed and Sean Palmerston team up to give you two separate viewpoints on Saturday night`s Toronto performance by Iron Maiden and Dream Theater at Molson Canadian Amphitheatre
It was a neat experience to see this concert in a movie theater. A few of my own pals hummed and hawed about going, wondering why it wasn’t made available as a Pay-Per-View event, but I personally liked it better seeing it at the movies. No home distractions, no interruptions from the outside world and being in those big, comfy Silver City chairs with all the legroom you could ask for made this a more enjoyable experience than it would be with ten of my friends crammed into my living room. And I didn’t have to clean up afterwards either.
Sean Palmerston reviews the June 22nd “Big Four” event that was shown at Cineplex theaters across Canada featuring Metallica, Slayer, Megadeth and Anthrax live in Sofia, Bulgaria.
I’m going to go out on a not-so-brittle limb and say that the radio show that is loosely associated with this website is probably one of the most diverse heavy/extreme music programs on the face of this ridiculous planet. This is due in large part of the tastes, collections, whims and tolerant attitudes of myself and my co-hosts. To prove it – and to finally start promoting the show we’ve been doing for four years now – we’re going to start posting our detailed playlists a day or two after each on-air stint. Take a listen sometime; I guaranteed you’ll be either surprised as shit, amazed, confused or totally pissed off at the massive scope of diversity our show delivers.
“Beyond The Lighted Stage was actually shot over quite a long period. The first work on the film goes back to October 2007. We were working on it and then while we were into it, we got the go ahead from Iron Maiden to film Flight 666. So, we had to go to Rush and their management and make sure that it was okay to put the filming on hold, which they agreed to.
We started again doing things after Flight 666 was finished and we worked right up until this year. The last interview for the film was completed in early 2010, so it was more than two-and-a-half years work, on and off, on the film.”
Sean Palmerston in conversation with Sam Dunn and Scot McFadyen of Banger Films about their new movie Rush: Beyond The Lighted Stage
The songs, stripped lean, take on a new sense of heavy immediacy. Intensely focused, David Gold kept the banter minimal, briefly introducing songs, but instead let the music speak on his behalf. And it was that intensity that made Woods of Ypres so amazing to watch live. They’re a band that pour their heart and soul into every endeavour –recorded and live- and that makes all the difference.
Kyle Harcott reviews the June 26th concert by Woods Of Ypres at the Biltmore Cabaret in Vancouver, BC
“The first image in the book is Living Color during the Vivid era backstage at a concert, just goofing around, and I wanted to capture that these were really fun guys, above everything else,” he says. “Not only are these people rock stars, but it’s something they are passionate about, and it clearly shows. Capturing them in their most vulnerable, joyous and with the most rawest emotions they have in their performance, was important.”
Laina Dawes interviews long-time music photographer Earl Douglas about his new book, “Black Rock Volume 1”, a compilation of photographs of some of the most important (and possibly unknown) black rock artists.