Reviews – Live

Hellbound does NXNE 2010

Since NXNE decided to do some cool free shows at Toronto’s Yonge-Dundas Sqaure we thought we’d go check out the most metal of the ones that happened. Actually, they weren’t very metal at all, but here are reviews of the three bands that any open-minded metal head would definitely enjoy…

Natalie Zed and Sean Palmerston offer a recap of the bands they saw for free at NXNE 2010 in Toronto, Ontario. Live photography by Albert Mansour

Kingdom of Sorrow: Side-Project Comes Into its Own

Kingdom of Sorrow: It’s a name that conjures up images of some grizzled warrior-king, his throne coated in ash, his body caked with blood. It evokes both torpor and power. And indeed, the quintet plays a blend of filthy swamp sludge and growling hardcore, courtesy of Crowbar/Down string slinger Kirk Windstein and Hatebreed vocalist Jamey Jasta.

Hellbound.ca scribe Sarah Kitteringham speaks to Jamey Jasta about night terrors, bringing your inner Zeppelin to life and Kingdom of Sorrow’s great new sophomore release.

Obituary/ Entombed/ Rumplestiltskin Grinder at The Opera House, Toronto, ON June 1, 2010

I have yet to attend a metal show that I am not excited about. It’s an excitement that transcends ticket price, record label, venue, or profile. Whether I am going to see a deep-underground band playing in a tiny bar, or a legend taking on the ACC, I experience the same moment of unrestrained pleasure when I step out my door wearing heavy boots and carrying earplugs in my pocket.

Natalie Zed reviews Obituary/Entombed/Rumplestiltskin Grinder in Toronto, accompanied with photography by Adam Wills.

KEVI METAL’S RIMSHOTS V. 2 #4: MARYLAND DEATHFEST 2010 EDITION

Here’s the scene: Hellbound’s old man posse – myself, photographer/CD pillager Albert and our fearless leader Sean – have found ourselves in a Motel 6 in suburban Baltimore, our digs for the duration of our time at the Maryland Deathfest. That this joint looks like a cross between 1970s IKEA and the set of the first Alien movie, is of no bearing or consequence, but I it was bizarre and needed to be mentioned. One morning, Albert emerged sporting a long sleeve shirt of the old Sounds of Death magazine. SOD was known for a few things, the most conspicuous was editor David Horn’s enthusiastic reviews in which album were rated on a “skull scale” out of ten, with the most raging of records scoring a brutal “10 fucking skulls out of 10.”

So, without further distraction, here’s what I thought of the bands I saw at MDF, reviewed in classic SOD style.