The awkwardly-named Charred Walls of the Damned delivered a solid headlining performance. While the other bands they shared the stage with has set a decidedly un-serious precedent, CWotD were much more straightforward and earnest in their presentation. Not to say that they were stuffy or stoic. They play unabashedly entertaining power/thrash metal, but choose not to caricature themselves to the point of complete cartoonification.
“Saturday’s show was a real Iron Maiden show, done with passion and vigour and integrity. It was a show made for their die hard, long-supporting fans. This was no greatest hits run-through, this was a band celebrating the fact that, after more than thirty years as a professional band, some of their greatest musical achievements have been on their past three studio albums.”
Natalie Zed and Sean Palmerston team up to give you two separate viewpoints on Saturday night`s Toronto performance by Iron Maiden and Dream Theater at Molson Canadian Amphitheatre
It was a neat experience to see this concert in a movie theater. A few of my own pals hummed and hawed about going, wondering why it wasn’t made available as a Pay-Per-View event, but I personally liked it better seeing it at the movies. No home distractions, no interruptions from the outside world and being in those big, comfy Silver City chairs with all the legroom you could ask for made this a more enjoyable experience than it would be with ten of my friends crammed into my living room. And I didn’t have to clean up afterwards either.
Sean Palmerston reviews the June 22nd “Big Four” event that was shown at Cineplex theaters across Canada featuring Metallica, Slayer, Megadeth and Anthrax live in Sofia, Bulgaria.
The heavy metal road trip is a time-honoured tradition among metal heads. Making the trip from Calgary to Edmonton may not be the most grueling of drives, but as soon as you leave your city to see a band, your expectations instantly become higher for the experience to come. Then, add in the fact that it’s Iron Maiden that you’re seeing, and the expectations go through the roof.
The songs, stripped lean, take on a new sense of heavy immediacy. Intensely focused, David Gold kept the banter minimal, briefly introducing songs, but instead let the music speak on his behalf. And it was that intensity that made Woods of Ypres so amazing to watch live. They’re a band that pour their heart and soul into every endeavour –recorded and live- and that makes all the difference.
Kyle Harcott reviews the June 26th concert by Woods Of Ypres at the Biltmore Cabaret in Vancouver, BC
With a two and a half year touring cycle, it’s impossible to tell if the band will ever be around these parts again, so this was a night to savour the greatest metal band ever. If this was the last time I’ll see Maiden, then I couldn’t be more satisfied.
I can wholeheartedly say that Fatality were worth both the voyage and the cover price all on their own. They didn’t just put on a show; they threw a party
Iron Maiden live is more than just a concert — it’s an event. In the days and hours prior to the show, the host city girds its loins in preparation for a pilgrimage of epic proportions. Because the fans aren’t just fans — they’re an army.
Since NXNE decided to do some cool free shows at Toronto’s Yonge-Dundas Sqaure we thought we’d go check out the most metal of the ones that happened. Actually, they weren’t very metal at all, but here are reviews of the three bands that any open-minded metal head would definitely enjoy…
Natalie Zed and Sean Palmerston offer a recap of the bands they saw for free at NXNE 2010 in Toronto, Ontario. Live photography by Albert Mansour
Kingdom of Sorrow: It’s a name that conjures up images of some grizzled warrior-king, his throne coated in ash, his body caked with blood. It evokes both torpor and power. And indeed, the quintet plays a blend of filthy swamp sludge and growling hardcore, courtesy of Crowbar/Down string slinger Kirk Windstein and Hatebreed vocalist Jamey Jasta.
Hellbound.ca scribe Sarah Kitteringham speaks to Jamey Jasta about night terrors, bringing your inner Zeppelin to life and Kingdom of Sorrow’s great new sophomore release.