It was loud, it was sweaty and it was a hell of a rock and roll show from a band whose combined age is somewhere around 235. Three of the four may be of retirement age, but on this night the Blue Coupe rocked harder than most bands 1/3 of their age.
The band was set against a bright backing light placed on the stage and played amidst a good amount of swirling fog. While still fairly “psychedelic” in both appearance and sound, Nebula brought a rougher and more road rock edge to their live performance than their more ambient fellow Californians. The songs were shorter, and at times sounded almost as though they were about to veer into more groovy, rock-radio friendly territory. It was a necessary shot of adrenaline after a fairly long and sweaty night, and the band ensured they kept things moving.
As New York’s Bloody Panda concluded their final note, and began to pack up, the small crowd, who had gathered for their awe-inspiring performance, wasn’t sure how to react to the intensity that was just laid out before them. So instead of applause, cheering, or even conversation, the room filled with an eerie silence that couldn’t have been more fitting.
Adam Wills documents the recent Toronto performance by NYC doom collective Bloody Panda.
This past Friday marked the Toronto stop of this year’s Progressive Nation tour, the now-annual summer festival curated by and starring Dream Theater as headliners – basically their chance to take out some of their favourite bands on tour with them across North America playing outdoor amphitheaters.
Sean Palmerston reviews the recent Toronto stop of this year’s traveling Progressive Nation festival.
Besides being metal junkies, we’re also science fiction geeks (if you’ve glanced at our Hellbound playlists, you might know this already). Turns out Melissa Auf der Maur (Hole, Smashing Pumpkins, MAdM) has a soft spot for sf as well, which her new multimedia project, Out of Our Minds makes blatantly clear. Auf der Maur appeared as a special guest at the 67th World Science Fiction Convention, held in Montreal this past weekend, where she was promoting her new multimedia project, Out of Our Minds.
Laura Wiebe Taylor and Jonathan Smith discuss the Montreal premiere of Melissa Auf der Maur’s new project Out of Our Minds.
Truth be told, it has been a pretty shitty summer weather-wise here in Southern Ontario so far. Instead of our usual hot, humid summers it has been the kind where you can count the truly sticky days on one hand. This Saturday was another drab, dreary one here in the Hammer, with rain coming and going all day making for a generally blah day. Thankfully, the evening’s entertainment inside at the Casbah did more than make up for the crappy weather outside. In comparison, the four bands that played the venerable King Street West venue left those in attendance positively steamy.
Clutch’s current musical incarnation, which dates from 2004’s Blast Tyrant to this year’s Strange Cousins From the West, has been a remarkable creative renaissance, with blues superseding stoner rock, and not surprisingly, when the final third of the show focused on the newer material, things truly took off.
Adrien Begrand reviews Clutch’s most recent tour stop in his base city, Saskatoon, SK.
Bison BC, or simply “Bison” as they’re known round these parts, has become a live institution in Western Canada over the last year and a half, and the nice turnout on this Tuesday night reflected the band’s steadily growing grassroots fan base. Theirs is an easy sound to like, and one that translates exceptionally well to live settings, especially smaller venues
In celebration of the 30th anniversary of their landmark album British Steel, Judas Priest returned to Toronto’s Molson Amphitheatre for one of their best shows in recent years.
With a Napalm Death concert happening nearby in Toronto on the same night, GTA concert goers were somewhat spoiled for choice on May 15th. Within that context, the crowd that came out to see Woods of Ypres’ debut Hamilton performance on May 15th was relatively small but dedicated to the Canadian group’s unique brand of black- and folk- inflicted metal.