Ufomammut – Eve
Eve—the song and the album—sounds like it’s been shaped from molten rock. Ufomammut have dug deep; crafting elusive, unruly elements into something inspired and monumental
Eve—the song and the album—sounds like it’s been shaped from molten rock. Ufomammut have dug deep; crafting elusive, unruly elements into something inspired and monumental
“By the time High on Fire hit the stage, the venue was thankfully almost at full capacity and despite not yet turning on the stage lights, when the crowd saw frontman Matt Pike stroll out in the darkness, bare chested, snaggle-toothed but still sexy as all hell, the crowd went nuts. While the trio had the least amount of members in comparison to the other bands, their sound was ten times more powerful and dense.”
Laina Dawes reviews the July 16th concert by HIGH ON FIRE, PRIESTESS, SKELETONWITCH at Toronto Ontario’s Opera House venue
“Driving onto the Bridge To Canada feels like jumping out of a plane. Okay, maybe not that exciting. But you do have a sense that you’re committed to a path that could go seriously wrong if you’re not careful. For example, never having crossed Ambassador Bridge before (we usually enter at Niagara Falls) we got confused as to whether we should follow signs for “trucks” or “cars” — seeing that “RV” or “bus” were not options — and ended up having to reverse out of an entry lane. One more strike against American intelligence.”
In an exclusive to Hellbound.ca, JUCIFER guitarist/vocalist Gazelle Amber Valentine has submitted the first part of their Canadian tour diary documenting their current tour North of The Border.
In an ongoing attempt to show that our Hellbound radio programs are some of the most varied, interesting metal radio shows that can be heard on the radio/online, here is our playlist to last night’s edition of the HELLBOUND SUMMER METAL MELTDOWN. Kevin wasn’t around for this program, as is now on tour acting as road manager for CEPHALIC CARNAGE, but we did have another guest DJ in for the night. Hellbound contributor, photographer and web guru Adam Wills came onto the show with Albert and Sean last night.
I’m sure that y’all remember your first beer, first kiss, first Iron Maiden record (Number of the Beast FTW!) and so on, but there are some firsts that aren’t quite so pleasant.
Yesterday was the first time I had to pay customs on a package arriving from the States. It fucking sucked.
I’m not a huge fan of bands doing albums in their entirety, but when the album is freaking Moving Pictures, the band is Rush, and it only makes up about a third of the show, how can you say no?
Sean Palmerston recaps the July 13th hometown performance of RUSH at Toronto’s Molson Canadian Amphitheatre as part of their 2010 Time Machine North American tour. Concert photos by Adam Wills.
Ultimately, we can certainly see the past though rose coloured glasses, and Just As the Dust Had Settled does indeed provide a loving tribute-lyrics, notes, photos and all—to a band which some might feel didn’t quite get the recognition they deserved during their day. At the same time, however, some bands should just remain cult classics.
Jameson Raid is one of those bands.
I dare say that Sabaton make the most uplifting songs about war this side of ‘The Trooper’! On Coat of Arms, the sixth record for the Swedish warriors but first with a proper North American release, Sabaton focus on the battles of World War II.
Live, this band kills. Although Buffalo didn’t offer the shot of adrenaline Landmine may have been looking for at this point in their tour, the band rallied and took it upon themselves to personally inject audience members with a shot of straight up, blood curdling horror; extreme music at its best. The set was short and intense; under a half hour to which the band played almost exclusively from their most recent album, Sovereign Descent.
Madeleine Rundle reviews the July 11th performance by Arizona grind monsters Landmine Marathon at Buffalo NY’s Club Diablo
Humo del Cairo (Egyptian Smoke!?) is a primarily instro trio from Argentina, with occasional vocals provided in Spanish. You can hear shades of Kyuss (check out “Panorama”), The Jimi Hendrix Experience (“Nimbo” and the opening of “Fuego de San Antonio”), their Argentinian countrymen in Los Natas—or even Sergio Ch’s side-project Ararat (the harmonica and chanting of “Errantes” wouldn’t sound outta place on Musica
de la Resistencia…).