G.G. Allin/Antiseen split picture disc
If you feel the need to purchase every recording with G.G. Allin’s name on it, you’ve probably already pre-ordered this. From the casual fan’s perspective, it’s nothing too special.
If you feel the need to purchase every recording with G.G. Allin’s name on it, you’ve probably already pre-ordered this. From the casual fan’s perspective, it’s nothing too special.
Vancouver’s Anion have dropped a punishing slab of hardcore in the way of their Carrion King seven-inch. Four songs striking a balance between stabby hardcore and slow-drain sludge, Carrion King is the perfect primer to the band and their vitriolic brand of sludgecore.
Take the buzzsaw riffage of more recent Darkthrone and the piss ‘n malt liquor of Eyehategod, with some decidedly pissed off black metal vocals, and change tempos frequently. You’ve got yourself a solid eight-song, 35 minute debut.
“The setlist was great: Perfectly selected songs from his solo stuff, like “Let Me Hear You Scream,” “Crazy Train,” “Bark at the Moon,” and “Mr. Crowley” and some Black Sabbath tunes like “Faries Wear Boots” and of course, “War Pigs.” I haven’t followed his solo career too much since I was about 11 or 12 when one of my older brothers (who is now a classical musician) brought home his first solo album, so this was a great set list for those who were enamored with the legend more than his musical catalogue.”
Laina Dawes reviews the November 27th show by OZZY and HALFORD at Toronto’s Air Canada Centre. She took all the cool pics too.
Here are some things that went online in the past week that caught our attention and we thought were worth sharing.
Hellbound reviews seven 7”s recently released by Baltimore-based A389 Records.
The Filth shows enough promise that I’m curious to see what haarp come up with for their next record.
Kevin Stewart-Panko and Sean Palmerston interviewed Mike Thompson of Withered when they played at Hamilton’s Club Absinthe last Thursday night.
“The moment the overture of “At the Edge of Time” began, the Kool Haus erupted. The audience was no longer a collection of discrete individuals; the room was suddenly occupied by a single entity, one cacophonous voice entirely at Blind Guardian’s mercy for the entire two-hour set. Very few shows can inspire this kind of intense, unifying energy, but this was such an event.”
Natalie Zed reviews the recent Toronto performance from power metal legends Blind Guardian, who were joined by Holy Grail and Seven Kingdoms.
“Vocalist Chance Garnett is a natural born frontman and knows how to entice a crowd. He paces back and forth, holding invisible oranges to the sky while guitarists Scott Hedrick and N8 Feet Under take turns demonstrating their fret board mastery.”
Hellbound’s Renee Trotier reviews the recent Hamilton, Ontario appearance by Skeletonwitch, supported by Landmine Marathon and Withered with photos by Adam Wills.