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MAAX – Six Pack Witchcraft

“‘Six Pack Witchcraft’ is a full speed ahead, red lining, sing-a-long track that will have you pounding your fist on the bar, and possibly your pint glass as well. For ‘Go F*** Yourself’ the band moves back into a more old school black metal feel with production so thick you’d almost think the band had recorded with the microphones set up on the other side of a mattress.”

Jason Wellwood reviews the latest album from MAAX, a blackened rock and roll album reminiscent of Motorhead vs Darkthrone.

Titan’s Eve – The Divine Equal

“Titan’s Eve manage to sound like seasoned veterans, no subtle nods to the old school or blatant attempts to make ‘nouveau’ thrash are present although it’s obvious that the band has done its homework. It’s also obvious that the band is ambitious: their debut album is a concept album based on The Book of Genesis and Milton’s Paradise Lost.”

Jason Wellwood reviews the independently released debut from Titan’s Eve, entitled “The Divine Equal”.

Cleveland, Ohio–my home away from home

Don’t get me wrong, there are parts of Cleveland where I’d be dead if I set foot in. I’m told that the local nickname for East Cleveland is “Mad Max,” which says it all, really. But when you’re busing it into town with the sole purpose of seeing a metal gig, it’s the best place I can think of within a seven-hour drive.

Blasphemous Meals #2: Jailbreak Jambalaya and a Date With the Devil

“Hellbent for Cooking is a compilation of culinary classics of every culture from metal bands and artists around the world… I have decided to record my thoughts and experiences while cooking my way through Hellbent for Cooking, also providing my view on the bands that graciously donated their recipes.”

Ola Mazzuca serves up some delicious meals straight from the Hellbent for Cooking in part 2 of “Blasphemous Meals”.

Black Space Riders – Black Space Riders

Black Space Riders certainly know what sound they are going for and with only one minor misstep on this album I’d say they’ve found it. The music isn’t too spacey to deter fans of more doom styled stoner rock nor is it too doomy for the rock crowd. Is the music a case of trying to please everyone? Perhaps, but in this instance it really works.