USA

3 Inches of Blood/ Goatwhore/ Burning the Day @ Mod Club, Toronto ON, May 13, 2010

There is something solid, straightforward, almost wholesome about 3 Inches of Blood’s brand of traditional heavy metal that is particularly satisfying. Cam Pipes sang about orcs and hammers while unleashing a series of throaty old-school wails—what was there not to love?

Natalie Zed reviews the May 13th Toronto performance by 3 Inches of Blood and Goatwhore at the Mod Club

Misery Index – Heirs To Thievery

For the older metal fan all grown this is like a vodka and red bull. It will keep you up and going so you can make more stupid drunken decisions so you can regret that thing you did behind the bar in the alley that got you a particularly nasty case of the herps.

Andrew Bonazelli: The Hellbound Interview

I have no idea if Andrew Bonazelli has ever picked up an instrument, let alone ever played in a band, but his position as the reviews and managing editor of the almighty Decibel Magazine and the fact that he’s just released his second book, A Regular, means there’s a connection to the world of extreme music and a reason to throw the hellbound.ca spotlight on the man for a while.

Kevin Stewart-Panko in conversation with Decibel managing editor Andrew Bonazelli about his newly published book A Regular.

Manitoba Metal Fest 2010: Part Two

For the next hour and half Brutal Truth kept going. They filled their set with gems from their back-catalogue and a heavy dose of tracks off Evolution Through Revolution. At one point in the set Kevin Sharp announced “I’m Henry Winkler and I need some booze goddamnit!” The crowd loved every minute of it. I don’t know if everyone there realized the significance of Brutal Truth playing their home town, but honestly, it doesn’t matter – the band was incredible.

Handshake Inc’s David Hall recaps their experience at this year’s Manitoba Metal Fest making an upcoming film on American grind gods Brutal Truth.

Sectioned – Purulent Reality

Purulent Reality is best compared to an unstoppable force that can take a great deal of abuse, simply shedding off its damaged layers while continuing the charge. The album makes no apologies about the fact that it demands to be played from start to finish and allowed to burn itself out.

Worm Ouroboros – s/t

Worm Ouroboros dive in without hesitation, never shy about setting themselves adrift on the musical currents they generate. On the surface, they wallow in beauty and atmosphere. But after repeated listens you can get beneath the surface, into the substrata of the songs themselves, which is where this album’s rewards really dwell.