FOR THE LOVE OF METAL
Post-ambient shoegaze drone doom duo (for lack of a better term) Nadja make their triumphant return to Toronto at The Garrison this Sunday. This is literally the only NXNE gig I’m attending this year. Yes, it’s that worthwhile.
Last nite was the first time I’d been to the Bovine Sex Club in nearly 10 months. I can’t say I really missed the…
Witch Mountain plays the Hard Luck Bar June 13th with Blood Ceremony and Castle. Consider this your two weeks’ notice!
Album number two from this Bay Area female-fronted doom trio. Funeral doom this is not—eight tracks spanning less than 36 minutes. From the upbeat (if none too uplifting) chugs and gleaming instro passages of the opener “Ever Hunter” through the piercing, haunted wails and jagged riffing of “Corpse Candles,” this is not your slogging bog-band doom, either.
“Converge are an overwhelming band to see live, vicious, visceral and breathtaking. The set quickly settled into a hard, driving rhythm, and the entire audience was carried along by it, compelled, possessed – taken. It can be difficult to talk about music and sexuality in a way that isn’t sensationalizing or reductive, but there is no question that the sheer aural force of Converge is an intense experience that borders on the erotic.”
Natalie Zed reviews the April 6th Toronto performance by Converge, Burning Love, Loma Prieta and Vilipend
For the past four or five years, I’ve counted on Japanese spaced-out psych merchants Acid Mothers Temple coming through town in April. They always seem to take a trip over here right when spring starts to bloom. Well okay, so spring was a little late this year. Also of note: this gig wasn’t at the El Mocambo, their typical Toronto tour stop for as long as I can remember, but rather at The Garrison, down by Dundas and Ossington.
“There is something about Paganfest that is magical. Someone on my Twitter feed referred to it as “the Comic-Con of metal shows” and I can’t think of a more apt description. The cosplayers were certainly out in force, from warriors carrying drinking horns and wearing utili-kilts to pirate wenches in striped tights. Before a single note was played, I saw foam swords, pirate flags, inflatable moneys, and even one memorable chain mail bikini. This show was all about the pageantry, about proclaiming your allegiance to one of the pagan metal subcultures, whether that be Russian folk or Roman Centurion. It made the audience a part of the entertainment, and made the ridiculous length of the show a lot more bearable.”
Natalie Zed reviews the April 2nd Toronto performance of the 2012 travelling Paganfest featuring Turisas, Alestorm, Ex Deo and more.
As a die-hard sports fan, I’m often disappointed by the musical selection at sporting events. For every time that a stadium DJ might play “Run to the Hills” or “Hit the Lights,” there are at least a couple hundred renditions of “Don’t Stop Believing,” “We’re Not Gonna Take It,” “Blitzkrieg Bop” and whatever Nickelback’s latest single happens to be at the moment. I can’t remember the last time any of these songs actually fired me up. And when a football player’s idea of a metal band is Free Reign, well, let’s just say that I was starting to believe that good music and the gridiron don’t mix. But that was before I became tuned in to the greatness of Vince Lombarrdi.
Canadian Music Week has always been the first weekend in March, and as such, I’ve adjusted/cleared my schedule accordingly for the past few years. But this year, they’ve decided to make a change, moving the event to the fourth weekend of the month. The official reasoning I’ve heard is they want to have it after SXSW, as if that would entice more bands to come up and play here. Hey, there are tons of amazing metal bands that just played SXSW–and I don’t see a single one on the bill for Canadian Music Week.
“I’ve always credited Finland’s Children of Bodom with helping to further my interest and involvement in metal, and in all those years I’ve seen them live a countless number of times. Somehow though, this show felt different. It felt special. Whether it was the ravenous crowd, my nostalgic mood, or the fact that this was the band’s 15th anniversary tour, the moment I heard the opening riffs of “Sixpounder” I just couldn’t stop smiling.”
Renee Trotier reviews the February 27th Toronto performance by Children of Bodom, Eluveitie, Revocation and Threat Signal. Live photos by Albert Mansour.