FOR THE LOVE OF METAL
As it’s still unforeseen where Opeth are heading to next, Heritage stands out as an eccentric anomaly in their catalogue. But this doesn’t diminish the quality of the album one bit. Heritage is a fantastic album, although it’s not without its flaws. However, those flaws have nothing to do with Opeth’s decision to become preoccupied with prog. They are simply slight musical missteps, and who hasn’t stumbled when finding a new path?
It might be considered blasphemy from a metal perspective, but from a purely pop-oriented point of view, where Within Temptation is concerned, “heavy” doesn’t necessarily equate “better”. They’ve always been a pop act at heart; whenever they’ve dragged out the heavy riffs or the goth clichés in the past, it’s felt a bit on the forced side. When they’re in full pop rock mode, though, they’re in their element, and The Unforgiving plays to those strengths, at times exceptionally well.
Back by popular demand, here are the Staff Playlists for February 2011!
One of the optional categories that all Hellbound contributors were asked to write about in our year end polls was their favourite Metal DVD of 2010. As it was optional – and because not all of us watched music DVDs in 2010 – not everyone has participated but I think that it is obvious from those that had a favourite to offer that the new RUSH documentary Beyond The Lighted Stage was hands down the favourite, followed by the Norwegian black metal documentary Until The Light Takes Us. Here are the individual favourite Metal DVDs of 2010, alphabetical by writer.
The first record gave me a lot of reasons to listen to it time and again. This new record gives me reason to let it collect dust. The best songs here are from the indie release, so there’s no need to spin the new one if you own the first album, and if you don’t I suggest you track it down and buy it.
Matt Lewis reviews the October 28th show by BAPTIZED IN BLOOD and guests at Hamilton’s Club Absinthe. Photos by Albert Mansour.
Women And Children Last isn’t a good “metal” album, it could at least be seen as a decent hard rock or hair metal record.
Hellbound readers, we’re sure that by now you are all familiar with our Natalie Zed, right? Natalie was our big grand prize winner way back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?
So, after a really, really long layoff (sorry NZ!), here is Natalie’s fifth installment (reviews #41 – 48 for those keeping stats at home) in what Hellbound likes to refer to as “Postcards From Natalie Zed”…
“I’m interested in various philosophical perspectives in relation to the inner workings of the mind and how that relates to being a human on planet earth. So there’s this balance between earth and cosmos and merging micro with macro. Something as simple as observing a flower one can see the entire universe contained within it. I’m also influenced by love and the variety of human emotions, sadness and despair, joy and happiness. Life is so incredibly rich and intense, it’s all there, happening all the time, I just have to open my eyes or more importantly heart to it. Life constantly informs us, if we could just pay attention.”
Navjot Kaur Sobti in conversation with Cynic guitarist/vocalist Paul Masvidal for Hellbound.ca
“Testament and Megadeth have both been around as long as I have been alive; Slayer is two years older than I am. These bands have been around for a very long time and have gotten exceptionally good at what they do. More that that, they have defined their genre. Watching Slayer perform, it suddenly hit me: this is what everyone else is going for. This is the aesthetic so many other bands attempt to emulate. Not just the sound, either, but the presence, the charisma of the band members.”
Natalie Zed reviews the July 29th performance by SLAYER, MEGADETH and TESTAMENT at Toronto’s Molson Canadian Amphitheatre