While previous efforts have been mired in attempts at being grandiose, Endgame strips away pretense…for the most-part. Omitting a few questionable moments, it still rages closer to the band’s early-’90s output than they have in years. No, it’s not an outright thrash metal masterpiece but Endgame still assures us that the important aspects of Megadeth’s personality remain intact, acting as a Jack Of All Trades by referencing high points in the band’s career.
This classic debut album by Holland’s Black Out was originally released by Roadrunner way back in 1984 and surprised many in the metal world with a few very positive reviews written toward this album back in the day. Needless to say, that this band is almost seamlessly connected with the British metal invasion of the early eighties.
Killswitch Engage’s latest and self-titled album showcases in many ways what has come to be expected from the band. The formula hasn’t changed much — straight and to-the-point metalcore with lots of clean lead guitars and bursts of drums. However, this time there’s more angst than usual in the lyrics, and definitely attempts at making the incredibly short songs sound suitably epic.
“I get so many emails a day, through Facebook and even through my personal email account from people who don’t know me – and even people who do know me,” explains music journalist Amy Sciarretto, who teamed up with her friend and colleague Rick Florino to pen Do the Devil’s Work for Him: How to Make it in the Music Industry (and Stay in it) (McCarren Publishing). “I was giving advice away so much that I realized I was giving the same advice over and over again, so obviously there was a need for this information, so why don’t we put it in a book?”
The claims about being “one of the fastest shredders of all time” and “a musical genius” The Great Kat (nee Katherine Thomas) lays down are always up for subjective debate, no matter how much she yells and screams and claims them as fact.
I’ll be honest, even though I am a big fan of Norwegian metal in general, Norwegian black metal especially, I haven’t really cared for anything Satyricon has done since Rebel Extravaganza. The whole “black ‘n’ roll” thing they have adopted really makes my stomach turn… but there’s something about this record I really dig.
With the early May sun setting behind the Toronto skyline, the Sound Academy was surrounded by an air of excitement on this Monday night as concert-goers traveled en masse to see Opeth and Enslaved.