This one almost flew right past me–like a flying roundhouse kick!
While early June promises to be punishing, it’s worth noting for those who are stuck in the city this long weekend that Oxbow is playing Toronto tonight. For the first time. Ever.
Oxbow
Scott Kelly: The Hellbound Interview (2012)
When Hellbound caught up recently with Scott Kelly the Neurosis co-founder and solo artist was returning from camping in the Oregon woods. He wasn’t looking forward to working later that evening. “I’m not that excited to get back into the world again,” Kelly said. If anyone has earned some down time this year it’s Kelly. He’s released an acoustic album with The Road Home (The Forgiven Ghost In Me) and was one of three artists featured on a Neurot collection celebrating folk artist Townes Van Zandt. The new Neurosis album Honor Found In Decay will be released in late October, and Neurosis is likely to emerge for a few select shows this winter. We talked to Kelly about playing solo and the power of a man alone in the universe – whether in a fighting cage or on a stage.
By Justin M. Norton
Eugene S. Robinson: The Hellbound.ca Interview
Author, writer, singer, fighter, actor, father, Eugene S. Robinson is the inspirational everyman for those of us choosing to follow the loves of their life. He’s also a pretty good poster-boy for those for whom the notion of getting a full-time, square job makes their skin crawl and testicles and/or ovaries shrivel up and retreat into the adjacent nether regions.
Kevin Stewart-Panko speaks one-on-one with Eugene S. Robinson about his brand new crime novel A Long Slow Screw, his critically acclaimed writing career and his ongoing musical journey as front man of the experimental outfit Oxbow.
Interview with Phil Freeman, Author of Sound Levels: Profiles In American Music, 2002-2009
“Metal is hard,” says Freeman. “It’s difficult, rigorous music but it’s not treated as such. These are guys who are on the level as symphony players on their respective instruments. These are guys who went into their bedrooms at age 10 and didn’t come out until age 20, but because they have long hair and they sing about decapitating virgins or whatever, it’s not treated with the respect the effort put into it would seem to demand.”
Laina Dawes speaks to music writer and recent Metal Edge editor Phil Freeman about his newly released book.