Hellbound @ Tuska Open Air 2018 in Helsinki
Friday Denmark’s Baest started the 2018 edition of the Tuska off with with a surprisingly tight death outfit in the veins of Entombed or…
Friday Denmark’s Baest started the 2018 edition of the Tuska off with with a surprisingly tight death outfit in the veins of Entombed or…
Friday At this point for me, Tuska has become a second festival home. It has the right feel in terms of scope of bands,…
Day 2 of this year’s Heavy Montreal was hotter and sunnier and, for us, off to a slow, humid start. We arrived in time…
Back again by popular demand!
You keep asking when it’s coming back, so here it is. Here is what the staff of Hellbound.ca has been enjoying during the months of July and August 2013.
A capacity crowd came together at Toronto’s Phoenix Concert Theatre last week to witness France’s mighty Gojira, Canada’s own Devin Townsend Project, and Chicago’s critically acclaimed The Atlas Moth, and what a show it was. Hellbound’s Adam Wills was there to witness the whole thing.
I’m not sure exactly what this list means – is this list any better than any of the individual lists? Probably not. Every list that comes out has their own personality, has albums that may be less obvious. But perhaps what this list does show is what the collective metal media thought was the “can’t miss” albums this year.
If I had to sum up L’enfant Sauvage in a single word it would “solid”. The songwriting is top notch, the typical Gojira-groove is still very much intact and despite the occasional experimental moments it’s pretty much business as usual.
Hellbound readers, please welcome aboard Natalie Zed! Natalie was our big grand prize winner back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?
So, without further adieu, here is Natalie’s first installment in what Hellbound likes to refer to as “Postcards From Natalie Zed”…
Back in the day, the pounding, clanging and grinding sounds of Birmingham, England’s ubiquitous industrial work provided a great wealth of inspiration for the thunderous sounds of metal’s forefathers in Black Sabbath and Judas Priest. Similarly, having grown up in the southwest of France in Bayonne, the members of Gojira are very familiar with the undeniable power of the Atlantic Ocean’s waves, and they’ve sought to emulate that power in a musical format. And with success, their dynamic and grooving, Morbid Angel-esque pummeling rises like a climbing wave before climatically crashing down.
Having just announced new fall tour dates supporting Metallica in the USA, Jay Gorania speaks to Joe Duplantier about life,death and metal.