Noothgrush – Live For Nothing
Sludge and college radio go together like chloroform and a dirty rag, so it’s only fitting that the new Noothgrush compiles two college radio appearances they made in the late 90’s.
Sludge and college radio go together like chloroform and a dirty rag, so it’s only fitting that the new Noothgrush compiles two college radio appearances they made in the late 90’s.
Today’s staff interview is with our Toronto based stoner rock superfan Gruesome Greg
Love him or hate him, there is no denying that A.C.’s Seth Putnam was one of the most controversial figures ever in extreme music. On the eve of the release of their new album, Justin M. Norton spoke with him about the new “F**kin’ A” album, surviving an overdose and how it did not make him change his lifestyle, as well as his actual, undeniable love for the music of Motley Crue and Buckcherry.
Since Seth passed away unexpectedly over the weekend, we are re-running our recent interview with him, one of the last interviews he did before passing away. RIP.
These guys have been doing this so long that they don’t need to mess with the formula. Black Fang is like a mean Carolina moonshine—consume at your own risk!
“Boris is always at its best and most exciting the more adventurous they get, and the two new records, Heavy Rocks and Attention Please, are just that, as both see drummer Atsuo, guitarist Wata, and bassist Takeshi embrace their accessible side in ways nobody, especially those on the metal side of the fence, could possibly have imagined.”
Adrien Begrand reviews the two new studio albums by Japan’s BORIS, Heavy Rocks and Attention Please, set for release May 24th on Sargent House.
“It was SXSW in Austin, so hell, we just decided to party. While hanging out on 6th Street, we were encountered by a rapper pushing his product. It’s normal for independent artists to either talk up, give away or sell their music at SXSW, but this chap obviously lacked common sense by trying to interest us in his rap project. Granted, people like all kinds of music nowadays, but did it really make sense for a rapper to approach a group full of dirty long-haired or head-shaven guys wearing metal shirts? I suppose my friend unintentionally baited him by somewhat loudly talking about Watain, the satanic Swedish black metal band. But that’s not what rap dude overheard. “Wu-Tang? Did somebody say Wu-Tang?”
Watain. Not Wu-Tang. We tried to correct him, but he interrupted us. “If y’all like Wu-Tang, you’re gonna love this!” I have his promo copy somewhere, and I’m sure it’ll make for a great coffee coaster once I find it.”
The second and final installment of Jay H. Gorania’s recap of the 2011 edition of the SXSW Music Festival in Austin, Texas
Essentially, while Vilipend has a pristine track record thanks to creative dexterity and oppressive heaviness fuelled by overt originality, when experiencing the vitriol, embittered passion and tormented rage of an act such as this through a live album, one really feels the self-abuse, throat-tearing screams and constricting viciousness.
A little on the short side, and lacking in any memorable tunes, Jason… The Dragon is only somewhat satisfying. That being said, I won’t object to another Weedeater tour, provided that it stops somewhere close by.
One of the things we polled our writers on was to tell us what their Event of The Year was for 2010. Here is what they have sent us in response…
Take the buzzsaw riffage of more recent Darkthrone and the piss ‘n malt liquor of Eyehategod, with some decidedly pissed off black metal vocals, and change tempos frequently. You’ve got yourself a solid eight-song, 35 minute debut.