Snow Burial – Victory in Ruin
How fitting was it that the promo for a band called Snow Burial hit my inbox just as the Northeast was getting snowed under?…
How fitting was it that the promo for a band called Snow Burial hit my inbox just as the Northeast was getting snowed under?…
Y’know, I’m always a little leery when a 75-minute album comes up in my review queue. It takes a lot to capture my attention…
It has been a very, very long time since a new record forced my mind to expand so quickly that it made my eyes…
High Spirits‘ You Are Here is resolutely old-school ’80s hard rock/metal, and if that’s your bag (baby!) it’ll definitely do you. I like the cover…
By Gruesome Greg These Chicago sludgesters are a filthy, dirty beast that would rather rape your ears than shake your hand. Case in point,…
Earlier this month the inaugural BARGE TO HELL cruise sailed from Miami, FL to Nassau, Bahamas and back and featured live performances by forty-two metal bands. Hellbound.ca was lucky enough to have been able to send some of its contributors on the cruise and here is what they had to say about the performances that took place on Day number three.
Live reviews by Adrien Begrand and Sean Palmerston. All photography by Albert Mansour unless listed otherwise.
These guys play slow, dirty swamp metal, buried deep under several layers of distortion. Much better suited for the bleakest, darkest days of winter than an early spring release.
These guys (and gal) frolic in the post-metal fields ploughed by Neurosis, though they definitely do their own thing. That being said, their thing is a little too weird for me.
“Visually the band’s performance style is understated, but the smaller venue allowed them to overwhelm the space. Alongside the expected Triptykon material, sounding much like it does on record, the set list was Celtic Frost-heavy, songs like “Procreation (of the Wicked)” snarled out with vicious intensity.”
Laura Wiebe reviews the recent Toronto performance of Triptykon, who were joined by 1349, Yakuza and Sylvus.
Even though this might be the darkest Yakuza record thus far, it’s also the most song oriented. It seems that Yakuza has focused on crafting their free form jazz metal jams into more succinct pieces this time around, which allows for a more palatable record. Palatable that is, for folks who found their previous work too challenging to listen to.