INTERVIEW: AURA NOIR’S AGGRESSOR, APRIL 2018
In anticipation of the sixth album from the blackened thrash titans, Hellbound’s Danielle Griscti got the chance to ask a few questions of AURA…
In anticipation of the sixth album from the blackened thrash titans, Hellbound’s Danielle Griscti got the chance to ask a few questions of AURA…
Finally, one of the best black thrash metal bands crash lands in Toronto! Norway’s self-proclaimed ugliest band in the world, Aura Noir, are on their…
The soothing tones of an acoustic guitar float to the listener’s ear when you click play on the newest EP from Ohio’s Skeleton Witch. The…
Man, at times like this, I wish I had a hint of Polish vocabulary. Anyhow, hello, blackened thrash! Right away we get evil chanting….
If the review of the Spooky split with Acid Switch whetted your appetite for more Nunslaughter, read on… Angelic Dread is Nunslaughter’s first full length…
As a neurotic and obsessive metal fan I struggle to cope with the number of magnificently malevolent black metal releases I’m missing out on. It’s a depressing thought—which I suppose is quite apt really. Such is the enigmatic nature of the underground scene, coupled with the fact that I am essentially a troglodyte, for every excellent black metal release I get to hear, five other worthy contenders pass me by. However, there are a few releases of late that I have been fortunate enough to hear and think deserve some praise-heavy wordage. Continuing my never-ending multi-album review series, this time I’m focusing on a few rough-edged gems (and one notably polished one) from black metal’s inhospitable climes.
“‘Six Pack Witchcraft’ is a full speed ahead, red lining, sing-a-long track that will have you pounding your fist on the bar, and possibly your pint glass as well. For ‘Go F*** Yourself’ the band moves back into a more old school black metal feel with production so thick you’d almost think the band had recorded with the microphones set up on the other side of a mattress.”
Jason Wellwood reviews the latest album from MAAX, a blackened rock and roll album reminiscent of Motorhead vs Darkthrone.
Similar to a post-modern poem, the album is dispersed and features lack of structure, which can be presented well if thought-out correctly. Despite half of the musical mess, the guitar work of Hasse is strong and precise that expresses undeniable talent above a clutter of sounds.
Musically, what makes Weapon unique is its intricate sense of composition, its sinuous melodic leads, and the subtle accents that it uses in order to conjure a distinctive atmosphere. Conceptually (and, by extension, atmospherically), Drakonian Paradigm is uniquely syncretic in its left-hand-pathos, in turn using its music to menace several doctrines from a common ground.
Tate Bengston reviews the debut full-length album by Edmonton, Alberta-based black metal quartet Weapon, recently released on CD and LP by the AJNA Offensive.