black metal

Krallice: Dimensional Bleedthrough

Dimensional Bleedthrough is the sophomore effort from New York’s Krallice. Like the band’s debut, the record is generally steeped in the more recent “avant-garde” or “post-Black Metal” sound, but it offers enough of the little details that are recognizably the group’s own.

Jonathan Smith reviews the new Krallice album for Hellbound.ca

Woods of Ypres: IV-The Green Album

No strangers to change, the nomadic Woods of Ypres have once again, redefined their sound with their fourth independent release IV – The Green Album. Initially a pure black metal band, mastermind David Gold and company (a variety of different musicians have come and gone through the years) have mixed elements of doom to their blackened sound with their 2nd and 3rd albums, and have continued the trend with their most focused and doom-laden effort to date.

Adam Wills dissects the brand new, upcoming fourth album by Ontario, Canada’s much beloved blackened doom outfit Woods of Ypres in an exclusive first published review.

Altar Of Plagues: White Tomb

With the band’s notable lack of corpse paint and the absence of beloved horror show theatrics in its sound, White Tomb emerges as a debut that contributes to a growing subset within the wider black metal sub-genre.

Deiphago: Filipino Antichrist

Overall, this banshee-stabbing outfit are the Satanic missing link between John Zorn’s Painkiller and Portal, only with 137% more virgin violation to their theoretical credit. And hey, if you’re not feeling particularly like cuddling with hell’s servants, this can effectively be used to clear out any lingering party guests and family members who won’t take the hint to get out, especially come Christmas time.

Marduk: Wormwood

In the midst of harvest time, Swedish metal veterans Marduk have offered up Wormwood. It’s a grotesque feast of sonic gore, and as such brings to mind the best in bombastic and blasphemous splatter movies. Like a lot of its cinematic counterparts, however, the album is a mixed-bag.