
Decibel Magazine Tour @ Amos Southend, Charlotte, NC, May 4, 2012
Review and photos by Justin Richardson The Decibel Magazine Tour came through Charlotte almost three months ago, which puts this review in big bold…
Review and photos by Justin Richardson The Decibel Magazine Tour came through Charlotte almost three months ago, which puts this review in big bold…
“Decibel Magazine’s inaugural tour was a much-anticipated treat, bringing together as it did four well-respected bands from the darker side of the metal spectrum – something for the li’l devil in everyone, from the dark trad-metal stylings of In Solitude, the blood-and-‘70s-drenched occult rock of The Devil’s Blood, to the christkilling riproar of Watain and the triumphant return of the mighty Nergal and his unstoppable blackened-death machine Behemoth.”
Live review by Kyle Harcott; Concert photography by Ted Reckoning
If you are a fan of Mayhem, Immortal, Darkthrone, Emperor, or even a fan of post-Norwegian Black Metal (Dark Funeral, Nargaroth) then this would be a record worth picking up.
I wish Demigod from Behemoth had this type of balance mixing wise. While everything on this album sounds huge it is clear and concise unlike the previously mentioned effort from Behemoth where the vocals were huge and nothing else.
King Diamond and Nergal going under the knife (all of us at Hellbound wish them all the best and a speedy recovery), Metal Film Festivals, Year End lists and more make up “This Week in Metal”, a weekly feature that features what has gone by the past week.
What is it about black metal, and death metal, guys that makes them want to drop the corpse paint and put on a biker jacket? Black River aren’t the first side project formed by some guys who needed a break from their ‘day job’ band to just rock (see Chrome Division for example) but they certainly have created an album in Black N’ Roll that will get them noticed outside of the usual metal circles they travel in.
The Return of the Witch is a solid piece of work. It’s an album that is upfront about what its intentions are.
It might not be as de rigueur as Deathspell Omega, Gojira, or Hacride, but Destinity definitely deserves to be recognized as one of the stronger bands in this increasingly promising recent wave of French extreme metal.
Poland’s Behemoth have returned with their ninth album in nineteen years, and this time around the band sounds as though they are pushing themselves even further. While Evangelion is still recognizably (and perhaps even predictably) Behemoth, there’s a controlled chaos to the sound that gives things a certain energy.