FOR THE LOVE OF METAL
An unconventional way to combine black, death and thrash metal into one, Singapore’s Impiety deliver a merciless fist in the face with their latest release. Impiety prove that they are the self proclaimed ‘Asian Elite Satanic Majesty’ with their combative musical style.
It was loud, it was sweaty and it was a hell of a rock and roll show from a band whose combined age is somewhere around 235. Three of the four may be of retirement age, but on this night the Blue Coupe rocked harder than most bands 1/3 of their age.
The band was set against a bright backing light placed on the stage and played amidst a good amount of swirling fog. While still fairly “psychedelic” in both appearance and sound, Nebula brought a rougher and more road rock edge to their live performance than their more ambient fellow Californians. The songs were shorter, and at times sounded almost as though they were about to veer into more groovy, rock-radio friendly territory. It was a necessary shot of adrenaline after a fairly long and sweaty night, and the band ensured they kept things moving.
I haven’t listened to Manowar since I was about fifteen but from the first listen, I remembered what a kick-ass guitarist Ross the Boss is. His razor-sharp NWOBHM-era riffs, especially on “Death and Glory” have that classic Judas Priest Defender of the Faith-sound, and the songs are generally punchy but tight.
Over time, Sinner has evolved from a cheesy hard rock band into a more serious power metal band into a repository for ideas that would not fit on a Primal Fear album. Of the three albums considered here, Judgement Day marks the transition from the first to the second stage while the remaining two albums are embedded in the “serious power metal” stage.
Summon is the latest from New York sludge doom band Bloody Panda, and it is hardly easy-listening material even by metal standards. It’s an album that is largely about the atmosphere it creates, and it doesn’t waste any time in getting to it.
Now I know most of you will compare them to Dark Funeral, Vintersorg, Borknagar and the like, but Victoria BC’s Black Lotus is definitely one of Canada’s most surprising hidden gems
Whether you’re a supporter or detractor, you have to feel for Dez Fafara and the big ol’ target on his back. No matter what he does, how long he grows his centre-parted hair out, how many bootleg Black Flag shirts he’s photographed wearing, how much ill-placed tattoo ink he coats his neck and face with or how often he spits out something approximating a death metal growl, he’ll forever been known as the guy who sang in Coal Chamber.
Now, Sleep is perhaps best known for Dopesmoker, the posthumous reissue of their Jerusalem record, with a more stoner-friendly title. Whether you
call it Jerusalem or Dopesmoker, the single-track, 52-minute platter is a noteworthy album. But Holy Mountain isn’t just an album, it’s a collection of SONGS, man!
Misery Index is a long running death/grind outfit from Baltimore, Maryland. This album, their debut full length, was recorded originally back in April 2003 at Wild Studio in St-Zenon, Quebec and it is one of the most blistering technical, speed shattering, deathgrind cds of all time.