FOR THE LOVE OF METAL
A self-proclaimed “stoner metal” band from San Jose California, the quartet Zed has some of the elements you would expect: fuzz pedals, slow-rolling breakdowns, heavy bottom-end. They also have a crisp, commercial sheen that you could file under modern rock.
The amazing thing about this release is the drastic change from their debut; with some work put in by the listener they will be rewarded with such a intelligent laid back prog masterpiece. This new direction may put off some of the heavier progmetal fans out there but if you are willing to put in the time and this could sit nicely by years end for top ten material.
“Just as my energy level was reaching a crisis point, the audience’s had risen to a fever pitch, becoming positively explosive by the time Exodus took the stage. I made it about halfway through their 90-odd-minute set before throwing in the towel, but what I saw was absolutely spectacular. They are without a doubt a band not to miss, and I was glad for every moment I hung in to soak up some of the torrent they unleashed upon the crowd.”
Natalie Zed recaps the Toronto performance by EXODUS, HOLY GRAIL, BONDED BY BLOOD and more at Toronto’s Mod Club on August 24, 2010
What is it about black metal, and death metal, guys that makes them want to drop the corpse paint and put on a biker jacket? Black River aren’t the first side project formed by some guys who needed a break from their ‘day job’ band to just rock (see Chrome Division for example) but they certainly have created an album in Black N’ Roll that will get them noticed outside of the usual metal circles they travel in.
“What stood out for me was Steve Austin. Not only did the conservative persona I observed earlier in the evening quickly disappear and was replaced by an incredibly intense musician who howled -either in pain or in passion, I don’t know – but it was clear where one could be in awe and be incredibly afraid of him all at once. With veins popping out of his neck, he was rigid and tense, but then on the turn of a dime, overcome with emotion and completely vulnerable.”
Laina Dawes reviews the August 22nd Toronto performances by UNSANE, TODAY IS THE DAY, KEELHAUL and VILIPEND at Sneaky Dee’s
Agnes Vein have well steeped themselves in the lore of Blood Fire Death-era Bathory and latter-day Celtic Frost, but at times, the music also hints at the drone and mood of Jesu. There’s also the strong aftertaste of Primordial in the guitar tone. It’s an eclectic mix, but the influences serve them well and Agnes Vein have managed to distill them down into their own secret formula. I highly recommend Duality to anyone whose ears pricked up at any of the aforementioned inspiration.
Holy Christ, the new songs Ion Dissonance played, which were about half their set, blew me away. Crazy, maniacal and with a heavy as an elephant low end, these guys use 8 string guitars and you can feel it in the stomach. Their performance was tight, to the point and they left it all on the field.
Make no mistake, this is POWER metal. The songs on At The Edge of Time are arranged with a classical ear, the attention to detail on this album cannot be denied.
“Next on the docket was Hamilton’s own Deathmarch. For reasons I’m not fully aware of they were without a drummer tonight, getting by with a drum track and Northern Storm Records label head Rob Cranny. By this I mean that Rob sat in the middle of the stage, shirtless with drum sticks in hand, phantom drumming throughout the entire set. Remember what I said about metal being fun?”
Renee Trotier reviews the August 18th performance by DEATHMARCH, ESOTERIC DOCTRINE, HALLOWS DIE and TWILIGHT CHILD at the Corktown Pub in Hamilton ON.
Although they aren’t too creative with the written word—all songs are entitled Acts I through VI, and the band name itself is cringe-worthy—Seattle’s Roareth does have something to offer musically with this, their debut album. Take Zoroaster circa Dog Magic, sprinkle in a few non-distorted slow passages a la Neurosis, and a handful of Cisneros bass grooves, and you’ve got a solid 45 minutes of slow-moving sludge.