Reviews

Blood Revolt – Indoctrine

The fact that the much-ballyhooed debut album by Blood Revolt is generating vehement reactions from the metal world shouldn’t be much of a surprise. And you know it’s the kind of reaction Alberta black metal mainstays C. Ross and James Read wanted when they formed a trans-Atlantic artistic partnership with Primordial proselytizer Alan “Nemtheanga” Averill. One one side, you’ve got underground metal scenesters who can make neither heads nor tails of all that damned singing atop the scorching backdrop of raw black metal provided by the two members of Axis of Advance and Revenge. On the other side are the Primordial fans that are so starved for a new album that they’ll listen to anything Averill lends his voice to. Needless to say, hearing the man contribute to something so unflinching, so confrontational had to have been the last thing they expected. Where are the 6/8 time signatures, dammit!

Lantlôs – .neon

While this is indeed a different vibe from the more nostalgic, fantastical vibe given off by Alcest’s albums, Lantlôs remains very similar in feel. This fact alone should be enough to help one decide whether or not .neon is worth pursuing.

Jucifer/ Mendozza/ Ahna @ Funky Winkerbean’s, Vancouver BC, August 6, 2010

Jucifer live is Total Ritual: Thick smoke and hot underlight, howling fury and gnashing of teeth, sonic overkill pouring forth from Amber Valentine’s monolithic wall of cabinets. From the second she steps onto the pitch-dark stage to begin her rite of setup to the moment the cloak is removed and the Flying V is strapped on and she begins beating hell out of it like it’s some faltering beast of burden, ritual is the only way to properly sum up the band’s live oeuvre.

Kyle Harcott reviews an appearance in Vancouver, BC of touring machine, JUCIFER.

Sleepbringer – Compendium

Another one of those bands I somehow stumbled onto by accident, there’s very little I can tell you about Indianapolis’ Sleepbringer. Born out of the ashes of Heroes Laid To Rest, an Internet search bore only one other short review (so far) of Compendium, although I have the feeling that once this record gets heard a little more, that’s going to change. What I can tell you without a doubt is that this record absolutely crushes, it’s one of the most promising debuts I’ve heard this year.

Cynic/ Intronaut/ Dysrhythmia @ The Opera House, Toronto ON, August 2, 2010

“Metal cannot often be defined as subtle. Every now and again, however, these is a show that serves as a sort of palate-cleanser, offering metalheads an opportunity to indulge in some of the more delicate flavours that this broad, strange genre of music has to offer. Cynic, Intronaut and Dysrhythmia performed just such a show, giving the audience at the Opera House an aural meal to be sipped and sampled as well as devoured.”

Natalie Zed reviews the August 2nd Toronto performance by CYNIC, INTRONAUT and DYSRHYTHMIA. Concert photography by Adam Wills

SardoniS – s/t

The songs, like the lineup of the band itself, seem a tad underdeveloped, like a reasonably well-produced demo tape made to audition a bassist and/or singer. I doubt that stoner/doom minded musicians are in great abundance in Belgium, but the band would benefit from both in my belief

Primus @ Sound Academy, Toronto, ON, July 27, 2010

“While avoiding the bookend records (Suck On This and Antipop) completely, Primus pulled together a set tailor-made to please the devout and focused on fan favorites like “Eleven,” “Pudding Time,” “Golden Boy” and “Southbound Pachyderm” rather than reaching for any “Wynona” or “My Name Is Mud”-sized brass rings (“Jerry Was A Racecar Driver” represented the only bonafide hit in the set) or throwing any curiosity-seeker that may have been in attendance a bone.”

Bill Adams reviews the July 27th Toronto performance by the reuinited PRIMUS. TOM FUN ORCHESTRA opened the show.

Revamp – Revamp

All in all, I’m not overly impressed by this release. Only by purposefully listening for something positive did I find anything worth more than one listen. The musicians on this record do a great job but they don’t mesh with Floor Jansen’s voice at all. The song writing on this just didn’t seem to be as much of a focus as the keyboard and vocal flourishes were.