Witchcraft – Legend
“the Swedes leave you to rewind, ponder and reflect on its content, strengthening Witchcraft’s status as revival artists of doom today”
“the Swedes leave you to rewind, ponder and reflect on its content, strengthening Witchcraft’s status as revival artists of doom today”
This is an album I will be proud to add to my collection, and it’s one of the few metal albums that’s evoked so many emotions in me.
Embers and Revelations draws from a thoroughly Luciferian lexicon, and is a magnificent deluge of ungodliness. Weapon prove, once again, that an abundance of sinister creativity can be dredged from the quagmire of blackened death and masterfully butchered upon the altar.
Bottom line, you will not find another band in Toronto that sounds anything like this.
This show is a great peak into what Thin Lizzy were about to become with 1976’s Jailbreak – one of the best hard rock bands in the world.
The Early Years is a decade of primal folk, and a document that has evidently shaped one of metal’s most extreme divisions today.
This is still a “metal” album, just one that defies quick-and-easy categorization. Not for the faint of spirit, but a long, strange trip for the rest of us…
As I’ve previously remarked, The 460 might not be El Mocambo, but it’s the next-door thing. This evening, the hole-in-the-wall bar is hosting a couple instrumental psychedelic-rock outfits that’ll expand yer mind–and they’re both from right here in yer backyard!
On its surface, on a purely musical level, Reverence to Stone is a fantastic journey of ups and downs, rising to heights and crashing back down to earth, riding the waves and the winds of inner discovery. Add to that lyrics which can be interpreted in more than one way and you have an outstanding doom record itself worthy of reverence.
If they’re ending their careers on this note, well, they’ve left us with a solid token to remember them by.