Photo Gallery: Diamond Head live at Heavy T.O.
Photo Gallery: Diamond Head live at Heavy T.O., as shot by Albert Mansour and Adam Wills
Photo Gallery: Diamond Head live at Heavy T.O., as shot by Albert Mansour and Adam Wills
Two very different reviews of the new Arch Enemy album, entitled Khaos Legions, out now on Century Media. Which one do you agree with?
Photo Gallery: DevilDriver live at Heavy T.O.
This record runs the gamut from cool to quirky to slightly-boring alt-rock slog, leaving no stone unturned along the way.
In her latest Blasphemy Blog entry, Ola Mazzuca discusses her last month spent in Urbino, Italy and its metal scene.
Using every positive adjective I could find may not do the album or the band justice but try this on: Unexpect are a collection of aural artists and in Fables of the Sleepless Empire they have created their masterpiece.
Ain’t No Night is a spectacular record, unique and eclectic. Its rewards are deep, but they are demanding.
They say all things must come to pass, but lately, they’ve been passing like a 300-pounder with a spastic colon passes gas. First, there was the mysterious disappearance of StonerRock.com, the website that every heavy rock site aspired to be. Then, the off-again, on-again, off-the-air CKLN saga, which led to the end of Smokin’ Green and influenced my decision not to renew my domain. Accept tribute bands take note: as of August 26, 2011, TooHighToGetItRight.com will be up for grabs.
Simply put, Conjure and Command is Joel Grind at his most vicious and it’s Toxic Holocaust’s most noticeable album to date. Whatever’s pissing this dude off we’re lucky to be reaping all the benefits.
On July 9th, a special arts event happened in Toronto called The Wrecking Ball, which was half literary event, half metal show.
Hellbound’s Laura Wiebe was there to soak in the evening’s festivities, which featured poetry readings alongside live performances by the likes of Sylvus, Vilipend and Ein Traum.
All photography by Adam Wills.