While Hellbound.ca is definitely my main focus these days, every now and then I still write for other places when asked. Way back before I launched Hellbound.ca back on June 1st, a Toronto date for Porcupine Tree and King’s X was announced in Toronto for September 30th and I pitched Exclaim! on doing a review of it. True to my word, I went to the show and did the review for Exclaim!, who have posted it up online this morning.
When I was 10, the holy trinity of hard rock bands consisted of AC/DC, KISS, and…wait for it… Nazareth. The Scottish rockers had a shoulda-bin stadium stomper in “Hair of the Dog” and turned Joni Mitchell’s “This Flight Tonight” into a hard-rockin’ hit. I actually used to draw pictures of myself wearing a Nazareth T-Shirt. I kid you not.
To this day, I still don’t own a Nazareth T-Shirt. I also haven’t seen them live, and I think I could live without doing so. But after catching AC/DC last November, my pre-teen dream was realized last nite when I finally saw KISS in concert.
Supporting their Axis of Eden album last summer, the legendary experimental extreme metal/noise rock outfit Today Is The Day embarked on a successful, sonically violent multi-national European tour supported by the nomadic, dynamic duo Jucifer (they constantly tour and live in their RV), Pittsburgh’s grindcore outfit Complete Failure and Paris’ Four Question Marks.
Hellbound.ca contributor Jay H. Gorania was part of the contingent that criss-crossed Europe and has written a three part tour diary on the escapades that ensued. The first part of the diary is presented today, with the rest to follow next week.
While Hellbound.ca is definitely my main focus these days, every now and then I still write for other places when asked. Exclaim! put out a call last Friday looking for someone to review that night’s Obituary show in Toronto, which I was going to cover for Hellbound.ca with a full review, so I wrote up a review for Exclaim! instead.
While Sean did an interview with Scott from Skeletonwitch at their Toronto show on Friday night that should be on Hellbound.ca sometime next week, I thought I’d post up some of the photos I shot of them at their Toronto show this past Saturday.
If you’ve been to a metal show in Toronto at anytime in the past 20 years, chances are you know or have seen Joe. None of us from Hellbound.ca know Joe personally, but we have been seeing him at shows since Sepultura in 1991. He has a fierce admiration for metal and, although he doesn’t have a computer, we asked him if we could take some pictures with him at Friday night’s Obituary show in Toronto to post on Hellbound.ca and he said sure. Albert snapped some shots of Joe with Rob Kachluba, Blitz and I and also got another shot of him at Stryper on Sunday night too.
Ladies and gentleman, Joe, a true Toronto scene supporter!
Setlist for the recent Doro show in Toronto on Hellbound.ca
Music has been incorporated into fashion since, well, forever.
The band t-shirt is a common article of clothing and music edition sneakers are a great way to support your favourite artist in style.
I’ve lost count of every time someone has questioned the indecipherable logo sprawled across my shirt: “Ola, what the hell does that say?” I simply reply “Oh this? Well, it’s Emperor”.
Struggling with drug addiction, interpersonal problems, and a dwindling fan base, MC5 cut High Time in 1971. The band which had ignited punk rock and upped the ante on rock ‘n roll’s protest ethic with a single live recording released its third album to lukewarm reviews and apathy from the record-buying public. High Time went down as the unsatisfying finale in the story of MC5’s meteoric rise and fall. The times had changed. Or had they? This article considers High Time not as the last gasp of MC5 but rather as a vital exploration of the then-fledgling heavy metal genre and its relationship to rock ‘n roll.
Music and atmosphere. A lot of the time, these go hand in hand, musically. But what about the listening environment? Listen to an album in one setting, and you may not think much of it. Listen to that same album in the right setting, and all of a sudden, things seem to make sense. Perhaps you were listening on an ipod in a busy subway station, and the subtleties of the album were drowned out over the hustle of the city – or maybe you were just preoccupied by surfing online, with music on as background noise, and not something to be fully taken in.