Author: Sean Palmerston
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Keelhaul: Keelhaul’s Triumphant Return to Obscurity
Perhaps because their last release, Subject to Change Without Notice was released six years ago, coupled with the music industry’s short-term memory loss – not really anyone’s fault, as a plethora of albums are released every week – the understated brilliance of the Cleveland, Ohio quartet has largely gone unnoticed.
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No HELLBOUND RADIO tonight
Due to some technical adjustments being done at the radio station this weekend there will be no episode of HELLBOUND RADIO tonight. We’ll be back next week at the regular time.
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Augury: Fragmentary Evidence
From the opening explosion sound effect, the Montreal band launch into a slew of technical death metal tracks with a definite black metal influence. Deep growled vocals that rise into high-pitched shrieks accompany some precision guitar playing, but things rarely stay in one particular groove for long.
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Church Of Misery: Houses Of The Unholy
What separates Houses of the Unholy is the band’s penchant for psychedelic melodies and harmonies, not to mention that all lyrical themes are about serial killers. Church of Misery is an extremely heavy doom band, that varies from slow and melancholy to fast and crunchy more often than you’d expect.
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Quick VIEWs: August 7, 2009
The following metal/hard rock reviews were published yesterday in Hamilton’s VIEW Magazine and while they are online, it is with a bunch of indie rock reviews so I decided to throw just the metal/hard rock-related ones up on Hellbound…
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Tell HELLBOUND What You To Want To Read Here
Hey HELLBOUND readers, here’s your chance to tell us what you think. Seeing as how you are the lifeblood of this site, please give us your input…
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Clutch @ The Odeon, Saskatoon SK, August 2, 2009
Clutch’s current musical incarnation, which dates from 2004’s Blast Tyrant to this year’s Strange Cousins From the West, has been a remarkable creative renaissance, with blues superseding stoner rock, and not surprisingly, when the final third of the show focused on the newer material, things truly took off. Adrien Begrand reviews Clutch’s most recent tour…
