Nadja / Black Boned Angel: s/t
Even with all the feedback, distortion and weird sounds this is an album that anyone interested in droning, ambient sounding metal should have a listen to.
Even with all the feedback, distortion and weird sounds this is an album that anyone interested in droning, ambient sounding metal should have a listen to.
As fitting as all three bands were to the evening’s lineup, the honest-to-England truth was that there was only ONE band which could unite every Bostonian degenerate ‘n dreg on this evening. “Hello, we are Motorhead, and we play rock ‘n roll,” was the rallying cry, and no sooner was it uttered by bass assassin Ian “Lemmy” Kilmister then the capacity crowd went absolutely—and predictably—bananas.
(Photo Copyright Mark Marek Photography ©2007)
While Clutch traditionally is known for its forays into hard rock and metal, the all-instrumental Bakerton goes off onto other musical tangents that are also engaging although they can be very different from their main gig. El Rojo finds the group heading succinctly into jamband territory, creating an engaging mixture of funk, blues and classic rock that gives the musicians lots of room to breathe and let their musical chops shine.
Music and atmosphere. A lot of the time, these go hand in hand, musically. But what about the listening environment? Listen to an album in one setting, and you may not think much of it. Listen to that same album in the right setting, and all of a sudden, things seem to make sense. Perhaps you were listening on an ipod in a busy subway station, and the subtleties of the album were drowned out over the hustle of the city – or maybe you were just preoccupied by surfing online, with music on as background noise, and not something to be fully taken in.
This third full length album from Glasgow, Scotland’s Man Must Die is an amazing listen from start to finish.
I asked Forest Stream if they consider their music to be driven more by emotion, storytelling, visual imagery, social interactions, or something else altogether. Somn replied:
“Russia is a very good country in many ways, but that is also the country I, personally, hate many things about. The main issue causing this glaringly negative feeling is human indifference. Sometimes it reaches the top level of some sort of cold desperation, and it starts being felt like absolutely nobody cares about anything. Whatever happens they don’t care. Quite often this indifference is shared with another treasure – an ultimate stupidity and even complete assholicism as I tend to call it. I am very tired of it…”
Laura Wiebe Taylor speaks to members of Russian doom metal sextet Forest Stream about their new album, their native homeland and the advantages of recording in studios.
Despite being an overall disappointing collection, the latest EP from Southampton, UK, sludge/drone doom metal band Moss immediately gets points for two reasons.
This album is fantastic. Is Esoteric progressive doom? It is certain they are capable of gravitating towards this, but experimental? Definitely.
Originally released in 2008 in their homeland, Australian-based Ruins’ Cauldron is a solid cut of minimalist black metal that comes off as being fairly accessible.