Sean Palmerston

Sean is the founder/publisher of Hellbound.ca; he has also written about metal for Exclaim!, Metal Maniacs, Roadburn, Unrestrained! and Vice.

Motorhead/Reverend Horton Heat/Nashville Pussy @ The House Of Blues, Boston, MA., September 6th, 2009

As fitting as all three bands were to the evening’s lineup, the honest-to-England truth was that there was only ONE band which could unite every Bostonian degenerate ‘n dreg on this evening. “Hello, we are Motorhead, and we play rock ‘n roll,” was the rallying cry, and no sooner was it uttered by bass assassin Ian “Lemmy” Kilmister then the capacity crowd went absolutely—and predictably—bananas.

(Photo Copyright Mark Marek Photography ©2007)

The Bakerton Group: El Rojo

While Clutch traditionally is known for its forays into hard rock and metal, the all-instrumental Bakerton goes off onto other musical tangents that are also engaging although they can be very different from their main gig. El Rojo finds the group heading succinctly into jamband territory, creating an engaging mixture of funk, blues and classic rock that gives the musicians lots of room to breathe and let their musical chops shine.

BLOG: Adam Wills: The Right Music For The Right Time

Music and atmosphere. A lot of the time, these go hand in hand, musically. But what about the listening environment? Listen to an album in one setting, and you may not think much of it. Listen to that same album in the right setting, and all of a sudden, things seem to make sense. Perhaps you were listening on an ipod in a busy subway station, and the subtleties of the album were drowned out over the hustle of the city – or maybe you were just preoccupied by surfing online, with music on as background noise, and not something to be fully taken in.

Forest Stream: Nature and Society, Misery and Hope

“Russia is a very good country in many ways, but that is also the country I, personally, hate many things about. The main issue causing this glaringly negative feeling is human indifference. Sometimes it reaches the top level of some sort of cold desperation, and it starts being felt like absolutely nobody cares about anything. Whatever happens they don’t care. Quite often this indifference is shared with another treasure – an ultimate stupidity and even complete assholicism as I tend to call it. I am very tired of it…”

Laura Wiebe Taylor speaks to members of Russian doom metal sextet Forest Stream about their new album, their native homeland and the advantages of recording in studios.

Ruins: Cauldron

Originally released in 2008 in their homeland, Australian-based Ruins’ Cauldron is a solid cut of minimalist black metal that comes off as being fairly accessible.