FOR THE LOVE OF METAL
The pace is very steady with solid lead guitars going back and forth, Metal Slave is about exactly what you always wanted in a NWOBHM style album. These guys give a helluva good performance, showing a great influence of Judas Priest, Battleaxe, Saxon and early Scorpions. It is a pleasure to listen to a debut album like this
By Jay H Gorania Images by Jay H. Gorania, Kevin Lerminiau, Isabelle Stricklesse, John Judkins, Joey Mack June 1-7: Sweden, Germany, Poland, The Czech…
Find out what HELLBOUND’s contributors are listening to going into the month of October. Each writer has submitted their Top 5 list and have an option to list a book and a film they are into right now too.
Grief doesn’t quite capture the emotional atmosphere soaking this debut from Dutch/Swedish duo The 11th Hour. Burden, yes – the album is tormented, weighed down. But grief sounds too frail to describe songs laden with so much heavy gloom.
Here are more photos of Finland’s Sonata Arctica, as shot by Hellbound.ca’s Adam Wills during their recent show with DragonForce at Toronto’s Opera House. All photos are copyright Adam Wills and Hellbound.ca
There are very few bands which can inspire relentless, reckless hedonism in the same way Destroyer 666 can; their very essence screams out the wild whirlwind in all of us. Owning the stage from first note to last, guitarist/vocalist KK Warslut and Co. pushed the rabid Providence crowd to the brink of the precipice and back, leaving no head un-banged, no fist un-pounded and no soul un-reaped by the maniacal, merciless onslaught.
MetalGeorge recaps the recent Providence stop on Destroyer 666’s recent (and very brief) North American tour, which also included Vital Remains, Baphomet’s Horns and Revocation.
Vocals are one area that doesn’t get enough attention and analysis across the broad pantheon of extreme music. So, let’s talk vocals and how they apply to the Brooklyn-based band Hull.
Satanic Blasphemies is a collection of tracks from nineties demos Slow Asphyxiation, Unholy Prophecies and the 7” EP The Call. Nine tracks of classic death metal that evoke much ‘grandfather’-esque influence on bands making their mark today.
I was tempted to start this review by simply saying, “This show was fucking awesome,” but it was much more than that. You had four top-notch musicians on that stage, including singer and leather aproned-wearing Corey Glover (whom if you haven’t heard this man sing, and sing so passionately yet so effortlessly, you are sorely missing out on a genius) and I wonder, why aren’t these dudes being recognized? If not in record sales, for their sheer genius? For actually knowing how to put a song together? But in some ways, it is the same sentiment when I heard the new albums from Suffocation, Lord Mantis and Kylesa this year.
Laina Dawes reviews the recent Toronto live performance by NYC outfit Living Colour.
After seven long years, my most anticipated release of 2009 has finally been unleashed and the big question is does it hold up to all the hype? Well… yes and no.