Tag: Voivod
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Hellbound.ca INDIVIDUAL TOP 10 ALBUMS OF 2013
Ask the Hellbound writers what the best albums of 2013 were and you get a wide-ranging list covering well over 100 records. It’s a sign of our diverse but discerning tastes. It’s also a powerful reminder of what a great year it’s been for metal.
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Heavy Metal, Popular Culture, and Academia
“Importantly, the presentations often approached a generalized assumption that some group or groups of people hold about metal music or culture only to complexify the issue, demonstrating how research in particular locations, milieus, and demographics reveals the diversity in the ways people understand and engage with metal.” Laura Wiebe reports back on the first North…
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Iron Maple Vol 1: Abriosis, Anciients, Chariots Of The Gods and Adrenechrome
Jason Wellwood kicks off his new Iron Maple column, focusing on Canadian independent metal bands, with reviews of new releases by Abriosis, Anciients and Chariots Of The Gods, plus an audio interview with Chris Friesen of Adrenechrome
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Iron Will paints a picture of strength, on stage and off, for death metal gladiators Kataklysm
“Director Tommy Jones captures the band’s stories of challenges and victories, both drunk and sober. Every. Single. One. You want an in-depth music documentary on a death metal band? This is it.” Ola Mazzuca reviews Iron Will: 20 Years Determined, the new 2 DVD, 2CD compilation celebrating the first twenty years of Northern Hyperblast from…
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Voivod – To the Death 84
Despite the rough-hewn quality of the demo’s performances and recording, it reveals that the essence of Voivod was present at the outset. While in 1984 it seemed unlikely that these four rivet-heads from Jonquiere would become prog-metal pioneers, it was obvious from the abrasive, alien nature of Voivod’s early material that this band was truly…
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Rwake – Rest
An original effort of epic proportions, Rest takes the music of Neurosis/Isis into the 21st century, with their own unique southern touch. Often, songs this long have me nodding off, but there is enough dynamic fluidity, changes of tempo, pace and styles to keep me interested throughout.