FOR THE LOVE OF METAL
Chicago’s The Atlas Moth emerge from the gate with a debut full-length album that is pretty entertaining at both it front and back end, but which has a more ambiguous middle that is much more tedious than it should be
By Melissa Andrews In the twenty plus years that Skinny Puppy have been around, their Friday the thirteenth show at Toronto’s Phoenix Concert Theatre…
Like to win things? Looking to add a little more quality metal to your collection just before Christmas? Yeah, us too! Well, courtesy of the fine folks over at Relapse Records, Hellbound.ca has three (3) fantastic Relapse Records holiday gift packs to give away containing four brand new Relapse releases and a super cool art print lithograph of the new Baroness album artwork! More details inside.
I have to admit that one of the reasons why I pitched Hellbound.ca a concert review of the Planetary Depravity Tour was because I wanted to see Dying Fetus guitarist John Gallagher and guitarist Michael Keene from The Faceless play live. Would they be able to pull their dexterous guitar feats off or were they simply studio tricks? Does Gallagher look as evil and demented as he sounds? Inquiring minds wanted to know.
Laina Dawes reviews the recent Toronto stop of the Planetary Depravity tour.
I originally wrote this interview for Canada’s EXCLAIM! in June, 1996 but they no longer archive back that far on their website, so I thought I’d make it available here again. I did this interview with Brian Patton upon the release of Dopesick, which I still think is one of their best releases ever.
Late November seems as good a time as any to take in a performance by Swedish metal veterans Marduk. A concert centered around a black metal band known for its own distinct take on imagery and songs centering on everything from war machines to religious blasphemy to paganism seems strangely appropriate for a grey month squashed between the twin commercial juggernauts that are Halloween and Christmas.
Concert review by Jonathan Smith
I could barely contain my excitement when Scott Kelly, Al Cisneros and Dale Crover quietly joined Wino, set up their stuff, pointedly ignored the choruses of cheers and the prerequisite ‘I love you, man’ from some drunk/high audience member and just started playing.
Dimensional Bleedthrough is the sophomore effort from New York’s Krallice. Like the band’s debut, the record is generally steeped in the more recent “avant-garde” or “post-Black Metal” sound, but it offers enough of the little details that are recognizably the group’s own.
Jonathan Smith reviews the new Krallice album for Hellbound.ca
Find out what HELLBOUND’s contributors are listening to going into the month of November. Each writer has submitted their Top 5 list and have an option to list a book and a film they are into right now too.
It took nineteen years but, in the opening guitar slashes of “Dark Horse,” listeners can almost hear the bandmembers collectively growl and then proceed to smash everyone listening over the head with thirteen of the strongest tracks this band has ever recorded; none of which fall into easy classification because Converge plays them all their own way, by their own rules.