Tag: Unearthly Trance

  • Primitive Man/Unearthly Trance split

    Primitive Man/Unearthly Trance split

    With both of these Relapse sludgy doomsters known for their droning, drawn-out numbers, I’m surprised this split between Primitive Man and Unearthly Trance is under 45 minutes. Each band gets three songs, with the opening track “Merging” serving as a mysterious one-minute collaboration between them both. Actually scratch that, Primitive Man’s A Side only has…

  • AMATEUR CONCERT PHOTOGRAPHY HOUR @ DAYS OF DARKNESS: Day Two, October 29, 2017

    AMATEUR CONCERT PHOTOGRAPHY HOUR @ DAYS OF DARKNESS: Day Two, October 29, 2017

    Day Two of Darkness was all killer, (almost) no filler. You had Boris playing Heavy Rocks, Warning playing Watching from a Distance and Bongripper playing a 60-minute set…

  • A NEW YEAR, MORE NEW (IN) METAL: 2017, PART 1b

    A NEW YEAR, MORE NEW (IN) METAL: 2017, PART 1b

    Last week, in part 1, we noted that there’s too much going on in metal these days to leave all our ‘best of’ and year-in-review lists to December. Now a few more Hellbounders have chimed in on what’s caught their ears so far in 2017. Check out their highlights (and the odd disappointment) below. Metal…

  • Unearthly Trace – Stalking the Ghost

    Unearthly Trace – Stalking the Ghost

    NYC doom dealers Unearthly Trance have returned from a seven-year recording hiatus—one that gave us a pair of Serpentine Path records, mind you, as they joined up with Tim Bagshaw of Electric Wizard fame. But now the original trio’s back in business, with their sixth album, out this month on Relapse Records. You can expect…

  • Serpentine Path – self-titled

    Serpentine Path – self-titled

    Right off the bat, you can tell this is one heavy vegetable; slow, punishing doomy riffs with deep-throated death metal growls. Winter is a definite reference here, albeit this record sounds thicker and sludgier, presumably because it wasn’t recorded in a basement.

  • Unearthly Trance – V

    There isn’t much in the way of standout tracks on this one, but rather a continuous, pummelling, ear-pounding assault that only seems to get slower as the album nears its conclusion.