Origin – Omnipresent
The music of tech deathers Origin produces either a smile or a grimace. Outer space themed! Insanely fast! Insanely technical!…but also a blender of…
The music of tech deathers Origin produces either a smile or a grimace. Outer space themed! Insanely fast! Insanely technical!…but also a blender of…
“By this point in the night the press of bodies on the main floor was damn near suffocating. Coupled with the intense heat, it was a sweaty affair indeed. Hair flying and riffs flying faster, Cannibal Corpse set a blistering pace for their 90+ minute, 20 song set.”
Matt Hinch reviews the May 31st Toronto stop of the Decibel Magazine Tour, featuring Cannibal Corpse, Napalm Death, Immolation and Beyond Creation. Cannibal Corpse photos by Adam Wills
Review by Ola Mazzuca Reading, England technical death metal up-and-comers Sylosis recently toured the US with Lamb of God. And what a fine time it…
We asked all of the contributing writers here at Hellbound.ca to submit their Top 10 albums of 2011, which we then compiled into a master list, assigning points to all their choices (10 points for #1, down to 1 point for #10). After tabulating the results, we have created Hellbound.ca’s Top 20 Albums of 2011. For part three of our continuing series, here is albums #10 through 6…
The approach Fleshgod Apocalypse take to succeed in an extremely intricate sub-genre is successful as they combine balance, precision and experimentation for an intriguing listen that pushes past a world of concepts already tackled.
Tech death fans, Entity‘s your feel-good hit of the summer.
“Soon enough, all ceremonial flames were lit and out strode the dread beast Watain to perform their black mass. What a show. From the opening strains of “Malfeitor”, Watain held the Rickshaw rapt with satanic attention. Their reputation preceding them, the band completely revel in malevolence and black theatrics, from coating themselves in pig’s blood to utilizing flame as the major light source onstage.”
Kyle Harcott reviews the November 14th Vancouver debut by WATAIN. Also on the bill were Goatwhore, Black Anvil and local support from Galgamex.
It seems to me that there are two possibilities here. Either MMX was done with a lot of thought and they over analyzed it or they were as fucking high as Hunter S Thompson.
“It was horrible. We were not well-received at all. People would throw dog food at us. People called us pussy metal.”
On the eve of the release of their excellent comeback album Jupiter, Justin M. Norton speaks with ATHEIST drummer and co-founder Steve Flynn about their early years, the re-emergence of the band and their exciting new album.
“Musically this album doesn’t deviate from the standard computer like sound of BTM past works. It has everything you would expect, ridiculously fast double kick, guitar licks like a robot was playing the 6 stringer and vocals guttural and abrasive enough to use on paint you need removed.”
Hellbound’s Matt Lewis discusses Maree Noire, the latest output from Quebec death metallers, Beneath the Massacre.