Hellbound Interviews : GUTVOID – June 2023
Tell us about the formation of GUTVOID in 2019. What brought you together? Sometime in 2018 Dan and myself (Brendan) were driving on Lake…
Tell us about the formation of GUTVOID in 2019. What brought you together? Sometime in 2018 Dan and myself (Brendan) were driving on Lake…
Say your piece, objectors: yes, Lord Worm is still out of the band, which leaves Flo Mounier as the only original member, and he’s…
Straight from banks of the filthy-as-fuck Detroit River, Windsor, Ontario, four piece THE APEX bring a raw technical death attack on a Meshuggah/Dillinger Escape…
The music of tech deathers Origin produces either a smile or a grimace. Outer space themed! Insanely fast! Insanely technical!…but also a blender of…
By Matt Hinch A few things are required for assembling an Artificial Brain: extremely talented musicians, super-technical riffs, complicated song arrangements, Colin Marston production,…
“While the Stanley Cup Riot of 2011 will be neither forgiven nor forgotten any time soon, it was heartening to see Vancouver’s metal scene step up and do their part to help soothe some of the sting the city’s been feeling since that night. I also got my eyes opened – there are a lot of incredible bands in this city”
Rob Hughes and Kyle Harcott review the July 13th RIFFS NOT RIOTS festival that happened in Vancouver. Concert photography by Ted Reckoning.
One believes that what makes Omnivium a successful album is that it is willing to take chances, whether it be playing a slower, more intricate melodic passage when the listener is expecting a battering ram riff, or indoctrinating your ears with further gravity blast bliss and shredding guitar when the average human’s arms and headbanging cranium would want to fly off.
It’s not clear at this point whether this new offering has enough unique staying power to ensure that, once the dust of its release has settled, its cuts will stand out from the rest of the band’s music. It’s a great listen for the first few times, but then it begins to feel a little too familiar.
Poisoned Legacy is a fine addition to the Danish death metal corpus (mortale…apologies for the horrid pun). It is well-performed musically and quite enjoyable in short bursts, but it lacks the consistently dynamic songwriting required to hold the attention for its duration.
Montreal’s Augury is describable as Canadian Progressive Death Metal. This band manages to keep the listener’s interest throughout the whole album delivering fresh melodic tunes on their second full length cd Fragmentary Evidence.