Sweden

Count Raven: Mammons War

Mammons War is kick-ass Doom metal offering, combining elements from several genres; Dan “Fodde” Fondelius has done a fine job creating that. A very respectable and a pretty cool album to check out.

Marduk: Wormwood

In the midst of harvest time, Swedish metal veterans Marduk have offered up Wormwood. It’s a grotesque feast of sonic gore, and as such brings to mind the best in bombastic and blasphemous splatter movies. Like a lot of its cinematic counterparts, however, the album is a mixed-bag.

Mean Streak: Metal Slave

The pace is very steady with solid lead guitars going back and forth, Metal Slave is about exactly what you always wanted in a NWOBHM style album. These guys give a helluva good performance, showing a great influence of Judas Priest, Battleaxe, Saxon and early Scorpions. It is a pleasure to listen to a debut album like this

The 11th Hour: Burden Of Grief

Grief doesn’t quite capture the emotional atmosphere soaking this debut from Dutch/Swedish duo The 11th Hour. Burden, yes – the album is tormented, weighed down. But grief sounds too frail to describe songs laden with so much heavy gloom.

Necrophobic: Satanic Blasphemies

Satanic Blasphemies is a collection of tracks from nineties demos Slow Asphyxiation, Unholy Prophecies and the 7” EP The Call. Nine tracks of classic death metal that evoke much ‘grandfather’-esque influence on bands making their mark today.

Hysterica: Metalwar

Metalwar is somewhat similar to an 80’s band called Leather Angel; this has the same sort of feel as their 1982 album We Came to Kill. I actually expected Hysterica to be another dreadful, typical, cheesy female band and all that. Luckily I was wrong, well at least somewhat wrong.

Bone Gnawer: Feast Of Flesh

For me, anything that Massacre/Denial Fiend vocalist Kam Lee is involved with gets me excited and I am very happy to report that this new Bone Gnawer project is no exception. In fact, it is possibly some of his finest work.

Ophthalamia: A Journey in Darkness (reissue)

A Journey in Darkness is a truly singular work within the realm of Swedish metal. There really is nothing else like it. Recorded in 1993 at Unisound Studios, the pseudonymically-inclined all-star lineup consisted of It (aka. Tony Särkkä of Abruptum and Vondur), Mourning (aka. Robert Ivarsson of Pan Thy Monium), Winter (aka. Benny Larsson of Edge of Sanity and Pan Thy Monium) and, most famously, Shadow (aka. Jon Nödtveidt of Dissection).

Tate Bengston reviews the new Peaceville reissue of this long lost Swedish metal classic.