
Black Cobra: Chronomega
Chugging along like a steam train bound for the pits of hell, Black Cobra’s Southern Lord debut is one hell of a beast.
Chugging along like a steam train bound for the pits of hell, Black Cobra’s Southern Lord debut is one hell of a beast.
It’s a given D.R.I. will draw a crowd in their adopted city. Add that this was D.R.I’s first show here in six years since guitarist Spike Cassidy was diagnosed and then beat colon cancer and you have a sold out crowd where getting to the bathroom was a 15-minute undertaking. The band’s performance was far from a history lesson; it was a bunch of grizzled veterans showing the kids how to take care of business.
Justin M. Norton recaps D.R.I.’s recent return to Slim’s in San Francisco, CA.
Suicidal Tendencies concerts have always been a combination of ultimate fighting, self-help seminar run by the Rev. Mike Muir and communal exorcism of bad mojo. If you’ve attended a Suicidal show you’ve likely left bruised or with a split lip but feeling like you could tackle the New York Marathon. Once I got popped on the side of the head, had a cigarette flicked down my shirt and still had a good time.
Cocaine Rodeo is an offbeat mixture of plodding, bass-heavy alt rock, and sub- two-minute punk tunes.
Like Goatwhore, like Crucifist, Black Anvil is not so much preoccupied with the thin-sounding Scandinavian aspect of black metal (although we are privy to the odd melodic movement reminiscent of Dissection) as they are completely obsessed with the mid-1980s first wave of Bathory, Possessed, and early Celtic Frost, the kind of primitive, immediate, old school metal with crust-infused riffs thick enough to stick to your ribs.
Adrien Begrand reviews the fantastic new debut release by NYC black metal/punk trio Black Anvil.
The first of a planned series of five seven-inches dedicated to the amalgamation of crusty punk and thrash metal, this installment features bands from opposite sides of the USA
Of all the original NWOBHM bands, few have been as sadly under-valued as London’s Tank. Formed by former Damned/Saints bassist Algy Ward in early 1980, Tank took the raw aggression of Algy’s former punk bands and applied it to a more metal setting.