Hellbound’s Progressive Nation at Sea Awards 2014
In February 2014, Adam Wills and Laura Wiebe flew to Miami, embarked on a cruise ship, and indulged in four days’ worth of live progressive rock…
In February 2014, Adam Wills and Laura Wiebe flew to Miami, embarked on a cruise ship, and indulged in four days’ worth of live progressive rock…
By Gruesome Greg If he’s not exactly a household name, it’s worth noting that Selim Lemouchi was the main songwriter behind Dutch occult-rock outfit…
Hellbound Metal: “Alas, while part of me is still pining for the s/t, I’m digging this new direction as well.”
Enslaved’s unique, progressive, black metal style is the root of the voyage you take on this album. It’s arguably the band’s most uniform element, and they hit all the right notes this time.
“With the upcoming Iron Maiden tour preparing to get underway, many people are aware that half of the tour will be getting Alice Cooper as their opener — a man that needs no introduction — and the other half will be getting New-York based Coheed and Cambria. I know a lot of people who are disappointed with getting Coheed and I feel that disappointment is merely because, for the most part, people going to Maiden are just unfamiliar with the band so Alice Cooper seems like the better of the two. When I discovered that Coheed was going to do a warmup tour in preparation for their slot with Maiden, I jumped at the chance to go see these guys live as my previous chance to see them was dashed.”
Live review and photos by Justin Richardson
By Raymond Westland With the release of We’re Here Because We’re Here UK-based progressive/alternative rockers Anathema managed to get back on top of their…
The band’s true pioneering days may be over, they still manage to deliver the goods on Koloss. The songwriting is impeccable and the album still contains new elements to keep things fresh and exciting.
Ambitious and progressive, razor-raw and unrelenting, the debut from Cape Town’s WILDERNESSKING is passionate and exciting, and I’d daresay an early frontrunner in my book for one of the best of the year.
The Oracle is a solid, if occasionally jarring album and a terrific next step for All Else Fails.
On From The Devil’s Tomb, Weapon manage to weave a thread of incredible beauty through what should be truly ugly music.