pagan metal

Enslaved – Roadburn Live

Enslaved have been around for close to three decades playing their brand of Pagan influenced, blackened and progressive tinged death metal. In all those…

MOONSORROW interview: Ville Sorvali

Finland’s Moonsorrow unleashed their latest pagan metal masterpiece on the world earlier this year. In the week’s leading up to the release of Jumalten Aika” (which…

Thy Worshiper – Ozimina

Arriving a year and a half after 2014’s triumphant comeback LP Czarna Dzika Czerwie?, Ozimina (Arachnophobia) offers undeniable sonic proof that reconstituted expat Polish…

70,000 Tons of Metal 2013, Part Three

Day three of this year’s 70,000 Tons of Metal cruise started off at Grand Turk with fun in the sun and continued into the late hours, with live sets from Metal Church, Helloween, Nile, Immolation, Doro and many, many more

Live review by Adrien Begrand; Live photos by Marc Hansen, Michael Jagla, Ag Babin, and Adrien Begrand.

70,000 Tons of Metal 2013, Part Two

Day Two, 285 nautical miles southwest of Miami, the fun continues on the 2013 70,000 Tons of Metal cruise. Highlights include Arkona, Anaal Nathrakh, Doro, Kreator, Rage and more.

Live review by Adrien Begrand; Live photos by Marc Hansen, Michael Jagla, Ag Babin, and Adrien Begrand.

Sylvus: All For One

Sylvus are a Toronto, ON-based band that have undergone significant transformations. After going on hiatus for a year, they returned to the stage with a completely new aesthetic, songs and bassist. They play black metal with tinges of pagan folk and almost otherworldly hints of psychedelic noise. Their music is by turns thunderous, tender and startling; it also happens to be produced by some lovely human beings.

Natalie Zed in conversation with Toronto blackened pagan metal quartet Sylvus.

Hypocrisy/ Scar Symmetry/ Blackguard @ The Wreckroom, Toronto ON, May 29 2010

It was shortly after 8:00 pm when Hypocrisy made their significant entrance; the excitement in the room was palpable when they strode onto the stage, lit vaguely by dim blue light and partially obscured by theatrical smoke. I can only describe their set as an all-out assault. While the sun might have still been impudently shining outside of the Wreckroom, inside the audience was completely consumed by Hypocrisy’s blistering intensity.

Natalie Zed reviews the May 29th Toronto performance by Hypocrisy, Scar Symmetry and Blackguard. Live photos by Adam Wills