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While this was the first listen through I feel pretty comfortable in saying that Juggernaut of Justice is the best album Anvil has made since Metal On Metal. In fact, it may even one day be recognized as their best album ever. It has the massive production the band has always wanted, produced by Bob Marlette at Dave Grohl’s Studio 606, the band finally had the opportunity to not rush things, get the sounds they wanted and delivered an album that both Lips and Robb Reiner told me afterward even surpassed their own expectations.
Article by Sean Palmerston; photos by Albert Mansour
Whenever a veteran metal band undergoes radical changes, like in Amorphis’s case, a new lead singer and a more streamlined sound, even if that shift in direction is successful artistically commercially and artistically, there will always be the stubborn folks in the background bitching and moaning about how their favourite band just isn’t the same as it used to be. Well, if you’re one of those people who still gripe that Skyforger is a sellout and can’t hold a candle to Tales From the Thousand Lakes, first of all, you’re only half right, and secondly, you can give a listen to Finland’s newest supergroup, who approach Amorphis’s classic, folk-infused progressive doom sound as if nary a day has passed since 1994.
Adrien Begrand dissects the debut release by Finnish progressive death metal supergroup Barren Earth.