Tag: metal
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Limb – Terminal
Limb play excellent stripped down stoner-doom, with more than a hint of Corrosion of Conformity and Motorhead. Another plus on the band’s second album, Terminal, is an excellent concise yet organic production from the legendary Russ Russell; he has truly captured the essence of the band. Moreover, Limb’s song-writing is first class (all bands without…
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Irata – Sweet Loris
Though Irata are relatively unknown, this Carolina trio comes with some instant sludge cred—this record was produced by Phil Cope and is being released on Kylesa’s Retro Futurist Records. Oh, and they’ve also snagged the opening slot on Kylesa’s upcoming tour. I guess that comes with the territory, eh? Thus, it should probably come as…
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Speedtrap – Straight Shooter
Reviews I’m seen for this simply splendid album seem to focus on two bands as influences on Speedtrap, Motorhead and Chrome Division (I don’t see them as an influence but they share attitudes and influences). For sure I hear Motorhead, which is as it should be, if you don’t love Motorhead, you don’t love life.…
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Crux of Aux – Mona
Despite the best efforts of No Why Records founder Mark McGee and his former bass playing cohort in I Hate Sally/The Chariot, Dan Vokey, I have never found the time to check out Shallow North Dakota. And my knowledge of Cursed is cursory at best. But it was that same rhythm section (I think) that…
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Tau Cross – Tau Cross
Tau Cross features Rob Miller from Amebix and Away from Voivod and draws great strength from both bands. Amebix and Voivod are two of my favourite bans of all time. Moreover, they are two of most influential bands in the history of metal. And bear in mind that both bands expanded and moved beyond the…
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I love what I love… Hellbound’s 2015 Q&A with Phil Anselmo
Phil Anselmo needs little introduction to metalheads. He is best known as the frontman of the platinum-selling titans Pantera, but there is also Down and Superjoint to name but a few of his well-known bands. He recently spoke with Hellbound’s Jay Gorania, a week before setting out with Superjoint on Danzig’s Blackest of the Black tour,…
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Unleash the Archers – Time Stands Still
Napalm made a very good decision in signing Unleash The Archers: they have all of metal’s strengths and none of it’s weaknesses. Time Stands Still is a very positive, very up album. In some respects, it is very traditional – great playing, great songwriting – but in other’s – production and influences – it is very…
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Mick Wall’s Getcha Rocks Off (book review)
Writing about music now is very different from Mick Wall’s decades of involvement in the music industry, working both in PR and as a writer. Then it was very hands-on. Wall was part of the action. Now it’s digital and antiseptic, with less and less human interaction (much like all life is becoming now). It’s…
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Voltang on Kill Eat Exploit the Weak
Several of us Hellbound folk moonlight as radio hosts, producers, volunteers and so on. You may already know this, and you may have had the good sense and/or good fortune to catch Gruesome Greg’s Gruesome Tunes, Craig Hayes on the New Zealand airwaves, Kevi(metal) Stewart-Panko on INDI 101, or Adam and me hosting Kill Eat…
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The Meads of Asphodel / Tjolgtjar – Taste The Divine Wrath
It is releases like this that are the reason I’ve dedicated so much time to this genre. It comes as no surprise that the Meads of Asphodel would do yet another fine split release, as they were one of the first British black metal bands to do so, releasing for instance, the fine ‘English/Black Punk…
