FOR THE LOVE OF METAL
Upon first listen, you might think this fifteen track offering is one of the greatest live albums of all time; it’s definitely one of the best to see release this year. This CD is what Death Angel is all about: heavy, thrashy, tight live playing that is highlighted by great guitar work.
Besides being metal junkies, we’re also science fiction geeks (if you’ve glanced at our Hellbound playlists, you might know this already). Turns out Melissa Auf der Maur (Hole, Smashing Pumpkins, MAdM) has a soft spot for sf as well, which her new multimedia project, Out of Our Minds makes blatantly clear. Auf der Maur appeared as a special guest at the 67th World Science Fiction Convention, held in Montreal this past weekend, where she was promoting her new multimedia project, Out of Our Minds.
Laura Wiebe Taylor and Jonathan Smith discuss the Montreal premiere of Melissa Auf der Maur’s new project Out of Our Minds.
Bison BC, or simply “Bison” as they’re known round these parts, has become a live institution in Western Canada over the last year and a half, and the nice turnout on this Tuesday night reflected the band’s steadily growing grassroots fan base. Theirs is an easy sound to like, and one that translates exceptionally well to live settings, especially smaller venues
In celebration of the 30th anniversary of their landmark album British Steel, Judas Priest returned to Toronto’s Molson Amphitheatre for one of their best shows in recent years.
With a Napalm Death concert happening nearby in Toronto on the same night, GTA concert goers were somewhat spoiled for choice on May 15th. Within that context, the crowd that came out to see Woods of Ypres’ debut Hamilton performance on May 15th was relatively small but dedicated to the Canadian group’s unique brand of black- and folk- inflicted metal.
It was already very cool to have one of the more interesting, eclectic metal tours of the summer run through my city, but to have the five-band Conquer & Curse Tour play a tiny place not much bigger than someone’s rumpus room made it all the more enjoyable.
This ain’t no Double Live Gonzo, but America’s weirdest right-wing redneck rocker celebrates his 6000th concert at home in Detroit, Michigan. Ted Nugent, you are a freak.
Fans gathered en masse at Toronto’s Molson Amphitheatre looking for a bit of nostalgia. Some were there to relive Perry Farrell’s early 90’s Lollapalooza tour. Others who weren’t even born at the time were there to find out what they missed. There were definite highlights to this performance but this tour, as almost all other of the nostalgia tours didn’t quite live up to the days of old.
I can’t think of another band so long-running whose output has been so consistently excellent. This truth led to my sole disappointment when I heard that the classic late-80s Thundersteel lineup had reformed: it meant that they were likely to ignore the past 20 years as if they never happened. Normally when some old band pulls a stunt like this, you wish they would ignore their last five or six albums, but Riot didn’t put out a single bad album after they retired the speed metal and screams of the Thundersteel years.
No fanfare. Zero theatrics. A barren stage except for the musicians, their instruments, amplification and a simple backdrop sporting their logo is all that Sweden’s Opeth (pictured) needed to entertain the nearly 900-strong crowd.