Still going down well: interview with Carcass guitarist Bill Steer
During the time Carcass has been on my radar, the band — and metalheads’ perception of what Carcass signifies — has passed through several…
During the time Carcass has been on my radar, the band — and metalheads’ perception of what Carcass signifies — has passed through several…
It’s 16 degrees Celsius in Dallas, Texas and steaks are sizzling on a grill in a shaded backyard patio. They’re being cooked medium rare…
When it comes to the metal aesthetic many bands feel they need to choose the route of texture or torture. Bands decide whether to…
January saw the release of Alcest’s latest album, Shelter. Even though I myself am not a big fan of this particular offering from the…
Photo by Bailey Ann Gottlieb Interview by Patrick Chappelle Occasionally, the boundaries of metal are tested and stretched beyond the confines of what its…
Hellbound is a Canadian-based metal site. That doesn’t determine our coverage – we can appreciate, evaluate and cover heavy tunes from anywhere in the…
Hellbound.ca’s Jason Wellwood in conversation with GWAR frontman Oderus Ungurus.
Sylosis have just unleashed their latest masterpiece Monolith through Nuclear Blast on October 5th. On this, their third album, the band has taken their blend of progressive thrash and moved things forward. While still a complete ‘shred fest’, Monolith has more feel to it, more ambience if you will. Taking the band to record where giants have tread before (Monnow Valley Studio, which has housed Black Sabbath, Judas Priest and Rush to name a few) seems to have given Sylosis the ability to convey mood a little more, and dial back on the technicality of their songs. Monolith is a fantastic achievement for this young band, and I had the pleasure of speaking with founding member/guitarist/vocalist Josh Middleton a few days after the North American release of the album.
” For years this album felt like the last thing I would ever do, before ultimately killing myself as well. Unfortunately for my enemies, that ended up not happening; instead, the disc was completed. “What doesn’t kill you…,” I guess, right?”
On the eve of the release of his third album, Laura Wiebe interviews Canadian digital hardcore artist SCHIZOID
After my proclamation earlier this year that Liberteer’s debut album, “Better to Die on Your Feet Than Live on Your Knees” is the front runner for my favourite album of the year, I’m standing by those words 150-fucking-percent. (And yes, I still say that even after fucking Palmerston took like four months to run this second part of this interview!) I’ve been spinning the album a few times daily since last week and am loving it more and more each time. So, I got in touch with main man (well, only man) behind Liberteer’s all-awesome awesomeness, Matthew Widener, for another round of word association. Here’s the resulting silliness.